Although I studied violin from the time I was 9 years old, played in youth orchestras throughout my school days and all the way through college, the person who taught me most about music is the today’s guest writer (and my favorite collaborator in songs and in life), Danny Arena. While I memorized scales, key signatures, and fingerings, I missed the big picture. Danny taught me how to regard all the elements of music from the individual notes, to the chords and harmonies, to the rhythms and structures. He explained it all to me in a simple and logical way that made me enjoy listening to all kinds of popular music, and even made me want to try to write it. Here’s an example of the ease with which Danny takes you on a musical journey – Sara Light
Guest Post by Danny Arena – Sharpen Your Music With The Flat Seven
There are actually seven standard chords that are part of every key in which you may be writing a song. However the seventh chord, in its standard form, is not often found in most songs. But there is a variation of this seven chord called the flat seven (or flatted seventh) chord which does turn up in many hit songs.
Formation of the Flat Seven Chord
The flat seven chord is formed by first determining the seventh note of the scale of the key in which you are writing your song. Lower this note by a half-step (also known as “flatting” the note) and you have the flat seven. For example, in the key of C, the flat seven would be a Bb chord. In the key of G, the flat seven chord would be an F major chord.
How It’s Used
The flat seven is generally used in one of two ways. First, the flat seven chord can also be used as a “surprise” chord, where you set the listener up to hear a certain chord, but give them the flat seven chord instead as a “surprise”. This is how Jimmy Webb first popularized the use of the flat seven chord (in fact, the flat seven chord is also known as the Jimmy Webb 7th). The bridge in the Grammy winning song “Beauty and the Beast” (songwriter – Menken/Ashman) uses the flat seven as a surprise chord, as does the classic Vanessa Williams/Brian McKnight #1 hit “Love Is” (songwriter – Tonio K/J. Keller).
Second, it can be used as part of the motif chord progression in a particular section of your song. The bridge in the hit Country song “Money In The Bank” (songwriter – J. Jarrard/M. Sanders/B. DePiero) starts on the flat seven chord and the Faith Hill hit “This Kiss” (songwriter – R. Lerner/B. Chapman/A. Roboff) uses the flat seven chord in the verse chord progression.
Let’s say you are writing a song in the key of C and have the following chord progression for the verse (1 chord per measure):
Em Am F G
One way to surprise the listener would be to play a flat seven chord (Bb) instead of the F chord in the seventh measure. Another way to surprise the listener would be to play the Bb chord in the 8th measure after the F chord, and use an extra measure for the G chord.
So the next time you’re looking for a little different twist on an old progression or just a different chord to start that chorus or bridge on, don’t overlook the flat seven chord – it’s really pretty sharp (sorry, I couldn’t resist).
Hope to see you on the charts.
Danny Arena is a teacher, a Tony-nominated composer, and the co-founder of SongU.com.
June 18, 2016 at 8:02 am
Very cool! I’ve used Bb as a “surprise” chord in the key of C before based on instinct. Now I know the theory behind it and can translate it to other keys. Thanks Danny!!
June 28, 2016 at 12:32 pm
Thanks for shining a light on this musical invention. I love the flatted seventh chord. It is employed in many great country songs, such as Merle Haggard’s “If We Make It Through December” and Waylon Jenning’s “Lonesome, On’ry and Mean.” I’ve used it in intros and choruses in several of my Outlaw styled songs. It does often add a little unexpected spice to the melodic and harmonic structures of a song.