Notes on Napkins

musings for songwriters


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GOLD STARS Report: Songs Recently Picked Up (latest update)

On our SongU virtual campus, success is achieved through our focus on education and making each song the strongest it can be BEFORE spending money on a demo. We offer numerous opportunities for songwriters to reach their goals, from one-on-one coaching to live feedback sessions, to peer and mentor co-writes.

CONGRATULATIONS to the following members for having their songs signed or pitched for the following SongU leads during the time period September 23rd – October 27th, 2020.

Pitch For Publisher. Christian. VARIOUS CHRISTIAN & POSITIVE COUNTRY ARTISTS. Extended! (“I’m finding some great songs from these SongU writers! Keep them coming.” – D.G.) Street Pitch guest, D.G., veteran music publisher, who has already generated income for SongU members, is looking for songs to pitch to Christian labels Daywind Records /Mountain Fever Records / Red Hen Records – 65/40 Records. Submit the following: Southern Gospel / Bluegrass and Positive Country songs, male …

    • Jim Karns “THE DAY I MET THE DEVIL 2” (Date picked up: 10/9/2020)
    • Steve Koch “THE FINAL WORD” (Date picked up: 10/9/2020)
    • Steve Koch “GOOD GOOD NEWS” (Date picked up: 10/9/2020)
    • Steve Koch “LET IT RUN” (Date picked up: 10/9/2020)
    • Steve Koch “REFRESH ME LORD” (Date picked up: 10/9/2020)
    • Steve Koch “CHILD OF A PROMISE” (Date picked up: 10/9/2020)
    • Steve Koch “THAT’S YOUR SONG” (Date picked up: 10/9/2020)
    • Steve Matthews “TAKE A LOOK AGAIN” (Date picked up: 10/9/2020)
    • Karen Mitchell “MY GOD DOES” (Date picked up: 10/9/2020)
    • Karen Mitchell “WHEN GRANDPA PRAYED (NEW MIX AND MASTER)” (Date picked up: 10/9/2020)
    • Ava Paige “LOVE ON JESUS” (Date picked up: 10/9/2020)

Pitch For Other. Country. This is an opportunity from our friends at Liva Music Switzerland to get airplay on international radio stations. Liva is connected to over 450 Country stations in Europe, 80 Country stations in Australia, and also about 200 stations in the USA. They have very specific song submission guidelines, so read ENTIRE description before submitting…

    • Brenda Kornblum “I FISH” (Date picked up: 10/20/2020)
    • Stephen adrian Lawrance “COLD COMFORT” (Date picked up: 10/24/2020)
    • Jeff Roe “BOTTOM OF IT- JEFF ROE” (Date picked up: 10/20/2020)

Pitch For Publisher. Contemporary Country, Pop, Traditional Country. BRETT KISSEL. Extended! Still current and actively looking.Street Pitch guest, D.G., veteran music publisher, who has already generated income for SongU members, is looking for songs for Warner Music Canada artist Brett Kissel. Brett’s last single, “Drink About Me”, went to No. 1 in Canada and currently has over 25 million streams (over 17 million streams in the USA alone). Here’s a link to the video: https://www.youtube.com/watch?v=mV_QkrQLbxY
Currently …

    • Dwayne Fisel “I COULD GET USED TO THIS” (Date picked up: 10/1/2020)
    • Alexsi Mallory “FREEZE SUMMER DEMO” (Date picked up: 10/19/2020)
    • Frank Stopak “LOVE YOU LIKE I SHOULDNT” (Date picked up: 10/1/2020)
    • Mitch Townley “STOMP ON “ (Date picked up: 10/19/2020)

Pitch For Publisher. Rock, Southern Rock. HOLLYWOOD YATES. Street Pitch guest and publisher, Bob D., who has already generated income for SongU.com members is looking for songs for several indie acts from Nashville for a better chance of getting a cut while many of the majors are on hiatus. This Rodeo Clown and bull rider needs ANTHEM-LIKE songs to fire up the crowd ala “We Will Rock You.” For more about this artist go to https://www.facebook.com/HollywoodYatesMusic/ . Pitch follow-up info: …

    • John Cirillo “COYOTE MOON” (Date picked up: 9/25/2020)

Pitch For Publisher. .Acoustic Country / Modern Bluegrass. WESTWEND. Street Pitch guest and publisher, Bob D., who has already generated income for SongU.com members is looking for songs for several indie acts from Nashville for a better chance of getting a cut while many of the majors are on hiatus. SUBMIT: male/female duets ala Alison Krauss & Wade Bowen. For more about this artist go to https://www.westwendmusic.com/home. Pitch follow-up info: If this guest …

    • John Cirillo “EVERGREEN” (Date picked up: 10/19/2020)
    • John Condrone “SINCE I FOUND YOU (COUNTRY/BLUEGRASS)” (Date picked up: 10/19/2020)
    • Rita Weyls “SHADOW IN THE DAWN. FINAL” (Date picked up: 10/19/2020)
    • Brad Yunek “US” (Date picked up: 10/19/2020)

Pitch For Publisher. Contemporary Country. TRACK 45. Extended! Street Pitch guest, D.G., veteran music publisher, who has already generated income for SongU members, is looking for incredible songs for BBR Music Group/Universal Records artist Track 45. This is a sibling trio (Ben, Jenna and KK) from Mississippi. Three voices with an amazing blend, ‘blood harmony’ as we call it in the south. All are great vocalists, instrumentalists and songwriters so pitch your very best songs, the bar is …

    • Hollie Brogunier “CROSSROADS” (Date picked up: 10/27/2020)
    • Ava Paige “THE TRUTH ABOUT LOVE” (Date picked up: 10/27/2020)
    • Mitch Townley “GIRL IN A SUMMER SONG” (Date picked up: 10/27/2020)

Pitch For Publisher. Country. DAILEY & VINCENT. Street Pitch guest and publisher, Bob D., who has already generated income for SongU.com members is looking for songs for BMG Rights Imprint Label artist Dailey & Vincent. These Bluegrass stars are doing a Country album. SUBMIT radio-friendly hits. Harmony with great lyrics and melody. Pitch follow-up info: If this guest expresses interest in your song, before pitching it, they will ask for publishing if a major recording results …

    • Ricki Bellos “ANOTHER PERFECT DAY” (Date picked up: 10/19/2020)
    • Ricki Bellos “BLUE SKY RAIN” (Date picked up: 10/19/2020)
    • Jonny Born “WHISKEY KIND OF LOVE – DEMO” (Date picked up: 10/13/2020)
    • John Cirillo “A BAR IN HEAVEN” (Date picked up: 10/13/2020)
    • John Cirillo “HEY GOODBYE” (Date picked up: 9/25/2020)
    • Michael Taylor “GLORY HALLELUJAH SKY_FV” (Date picked up: 9/25/2020)

Pitch For Publisher. Country. MaRYNN TAYLOR. Street Pitch guest and publisher, Bob D., who has already generated income for SongU.com members is looking for songs for Black River Entertainment artist, MaRynn Taylor. Submit Classic 90’s Country songs along the lines of young Dixie Chicks meets young Trish Yearwood. Keep it organic. Pitch follow-up info: If this guest expresses interest in your song, before pitching it, they will ask for publishing if a major recording …

    • John Cirillo “ROMEOS AND JULIETS” (Date picked up: 9/23/2020)
    • John Cirillo “LOST AMEN- FEMALE” (Date picked up: 9/23/2020)
    • Loralei Ells “JUST CUZ” (Date picked up: 10/19/2020)
    • Marc Kuchner “START NOW “ (Date picked up: 9/25/2020)
    • Rita Weyls “GOOD BEHAVIOR. DEMO” (Date picked up: 9/23/2020)

Pitch For Licensing Agent. Americana, Contemporary Country, Country. Extended! Pitch guest, N.P., is seeking songs for sync licensing to promote the new season of several cable network shows. Submit the following: Family, friendly songs. Upbeat – songs that build excitement and make you want to tune it to the new season. Good catchy choruses. Positive themes like: getting together, something new, look at me, something that, celebration, we’re back! Male or female vocals. Please include lyrics in your Locker so they …

    • Robbi Atkins “HELLO AGAIN SUNSHINE” (Date picked up: 10/21/2020)
    • John Cirillo “COMEBACK KIDS” (Date picked up: 10/21/2020)

Pitch For Licensing Agent. .Top 40 Female Pop, Soul, Chillout-House, Oriental Music AMURCO MUSIC LICENSING. This is an UK-based licensing company with a catalogue of 70,000+ tracks, offering playlisting and syncing opportunities. They are currently interested in receiving submissions for the following types of music: Current Top 40 Pop (Female), Soul, Chillout/Chill House, and Oriental. Here is a note to us from Joel at Amurco: “Our our deals are completely non-exclusive …

    • Robbi Atkins “GAME OVER CURTAIN CLOSED GOODBYE” (Date picked up: 10/7/2020)
    • Robbi Atkins “HUMAN HEART (POP VERSION/FEMALE)” (Date picked up: 10/7/2020)
    • Robbi Atkins “SOCIAL MEDIA BEAUTY QUEENS “ (Date picked up: 10/7/2020)
    • Jim Best “I AM A WOMAN” (Date picked up: 10/7/2020)
    • Jim Best “THE GIFT OF LOVE 95 G RNB” (Date picked up: 10/7/2020)
    • Jim Best “WHAT IS LOVE? NW” (Date picked up: 10/7/2020)
    • John Cirillo “A MILLION COLORS” (Date picked up: 10/7/2020)
    • John Cirillo “WORDS” (Date picked up: 10/7/2020)
    • John Cirillo “I AM A FORCE” (Date picked up: 10/7/2020)
    • Priscilla Connolly ” FREEDOM” (Date picked up: 10/7/2020)
    • Priscilla Connolly “SCAR TISSUE” (Date picked up: 10/7/2020)
    • Priscilla Connolly “YOU’VE ALWAYS BEEN THE ONE” (Date picked up: 10/7/2020)
    • Eugenia Johnson “BRITANY’S LULLABY” (Date picked up: 10/7/2020)
    • Elizabeth Milcarek “CONQUER TONIGHT – FINAL MIX” (Date picked up: 10/7/2020)
    • Mark Newman “BATTLE SCARS MASTER” (Date picked up: 10/7/2020)
    • Mark Newman “ALL COLOURS OF CRAZY- MASTER” (Date picked up: 10/7/2020)
    • Mark Newman “LOVE ON ME – MASTER” (Date picked up: 10/7/2020)
    • Robert Quigley “I CAN BE THE ONE” (Date picked up: 10/7/2020)
    • Ken Wank “YOU STARTED SOMETHING INSIDE ME” (Date picked up: 10/7/2020)
    • Ken Wank “AIN’T GONNA WAIT FOR YOU FOREVER” (Date picked up: 10/7/2020)
    • Ken Wank “MYSTERIOUS” (Date picked up: 10/7/2020)

Pitch For Publisher. Country. TRACE ADKINS. Street Pitch guest, D.G., veteran music publisher, who has already generated income for SongU members, is looking for incredible songs for Verge Records artist Trace Adkins. Trace is currently recording a 25-song album to celebrate his 25th anniversary in country music. There are numerous collaborations with other multi-genre artists already underway. Looking for songs, any tempo. Think about songs you would expect to hear from Trace, …

    • Jonny Born “WHISKEY KIND OF LOVE – DEMO” (Date picked up: 10/27/2020)
    • Billy Janes “HAUNT ME” (Date picked up: 10/14/2020)
    • Brad Yunek “THE COLORS AND THE CROSS” (Date picked up: 10/27/2020)

Pitch For Publisher. Contemporary Country. LEXIE HAYDEN. Street Pitch guest, D.G., veteran music publisher, who has already generated income for SongU members, is looking for incredible songs for Step Side Records artist Lexie Hayden. Looking for songs, any tempo with an organic / vibey feel that fans can connect with. Think inside and outside of the box, even to songs that don’t necessarily cater to current country trends. Think Kacey Musgraves meets Kelsie Ballerini. Check out one of Lexie’s …

    • John Cirillo “OH MY HEART” (Date picked up: 10/20/2020)
    • John Cirillo “MAKING IT UP AS WE GO” (Date picked up: 10/20/2020)
    • John Cirillo “HEART RUNS DRY” (Date picked up: 10/20/2020)
    • Dan Mayo “ONE TRICK PONY” (Date picked up: 10/20/2020)

And a round of congrats to those marked ‘Maybe’ too. Keep up the great work, everyone!


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Featured SongU Coach: A Conversation with Michele Vice-Maslin.

Today, I have the pleasure of talking with one of SongU’s long-time mentors and coaches, two-time Emmy Award winning songwriter and producer, Michele Vice-Maslin.

Michele Vice-Maslin

Michele, I’ve got to start by asking what’s helping you cope during this time of Corona?

Well I am a complete hermit so besides my lack of a hot tub to slip into I’m doing just fine and feel blessed! Also I really aspire to be a “Happy Girl” as one of my songs is called. That always helps one c ope, finding and holding on to their “happy”. A little “hippy dippy” I know but it’s true!

…But first off what helps me cope are my amazing Students at SongU and in my FROM SONG TO SYNC course! I am so busy coaching, mentoring, teaching, guiding, hand holding and seeing “light bulb moments” go off!… It is beyond rewarding and fulfilling!

I’ve actually never been busier so I think I am too tired to have to cope. LOL. In addition I’ve been writing with my favorite artist smooth jazz R&B legend Jonathan Butler for his new album and writing /producing songs for my own little pet artist project (2 of the songs appear on the Mpath PHENOMENAL WOMEN album series), plus other productions so I’m busy with that. I’m busy guiding my new intern Jeremiah. I’m busy pitching. I’m busy participating in tons of webinars mostly about all things music biz like Neighboring Rights, The MLC, Music Licensing, and so forth. I’ve been speaking on a bunch of webinars too… and so on and so on. All a great distraction from the difficult “mess” at hand that we all share.

And to top it off, as you and I discussed a little while back Sara…all the cooking. OH MY! Right now it’s after midnight I’ve been up working since 7am and I still have dinner to cook. Hahaha No time to think of coping

How has the current state of the world affected your writing, production, and pitching?

It hasn’t much affected the producing and pitching and solo writing. I am still doing that. Yes there are much less specific projects in production but still I always have backlogs of new songs that need to be pitched and brought to the attention of the “powers that be”. It has however very much affected the co-writing for me. I don’t like to collaborate virtually at all!  In fact I usually have a strict policy of “in the same physical room at the same time from complete scratch”. The only person I write virtually with is my main collaborator Larry Treadwell whom I’ve worked with for 39 years and know so well. I’ve also made an exception with Jonathan whom I’ve worked with for 20 years.  

Actually I’m always impressed by the Songu members I coach and their ability to co-write virtually even before the pandemic.

What qualities do you look for in a co-writer?

Of course if they are what I consider a good writer, which is subjective any way but after that mostly I look for someone I like, who is a nice human, a good human, an honest human. 

As a coach and mentor, you inspire so many songwriters. What inspires you?

The songwriters I coach and mentor! They inspire me everyday!  Some of them are soooo talented they could be teaching the class!  In the last 2 weeks alone I have heard some really amazing songs from them!  Life itself as well has always inspired me! Paying attention to all that is going on. Listening, watching, participating.

Do you have a favorite story you can tell us about one of your song placements? 

I have so so many but probably it’s my first one. That is what is coming to mind. It was 1987 and I was the songwriter, producer, arranger, creator of a “performance art project”. I had films and slide shows and actors doing skits accompanying the songs. The songs themselves and the whole project made Bjork look “normal”. 🙂 The whole thing was beyond alternative and avant-garde. I had a friend who was directing his first feature film TAPEHEADS. It stars Tim Robbins, John Cusack and the R&B/Soul legends Sam Moore (Of Sam & Dave) and Junior Walker (Of Junior Walker And The All Stars) Sam & Junior were playing the fictitious duo “The Swanky Modes” in the film. The director(my friend) asked me if I had any friends that created R&B/Soul music and if so could they submit some tunes for the film. So I grabbed my writing partner Larry, whom I previously mentioned, and we wrote and produced up (after much careful research and listening) a song to submit. Now remember I am a weird “Performance Artist”  who writes very odd songs, so what to do what to do… how to submit…? The director (who actually directed the films and slide shows in my performance art project) would never have considered any R&B/Soul song I might come up with so…I submitted it under a pseudonym… and voila!! In the movie. With the legendary Sam Moore and Jr. Walker recording it. My first cut and placement at the same time. In a major big budget film…and then haha I became knows as an R&B writer. Crazy stuff! I think the moral of that story is just go for it!!! Give it a try! Ya never know…

What music have you been listening to lately?

I listen to so much music. I’ve been listening to a lot of hip hop as I am producing a really cool hip hop/rapper artist. Khalid, Kanye, Money Can’t Buy, A.J. Tracey, Troye Sivan, and others. Also a lot of pop music. Katy Perry, Halsey, Dua Lipa, Sean Mendez, Jonas Brothers, Charlie Puth, Kim Petrus, Tov Lo, Hayley Williams, Ellie Goulding… so so many and the songs of my friends, colleagues and students. Every day I listen to new music. I subscribe to some online newsletters that are always introducing me to new music.

Thank you, Michele, for offering professional advice and songwriting education to our SongU writers ! You rock!

Thank you for these really great questions Sara and thank you so much to you for having me. It’s really an honor. This is my 14th at Songu and it has enriched my life beyond measure. I’m so proud to be a part of the Songu family! I love my students!

I can’t believe it’s been 14 years already! Time flies when you’re having fun (and learning new things all the time). Thanks again for your time, Michele!

ABOUT COACHING AT SONGU.COM

In addition to our 20+ live audio/video small-group song feedback courses each month, our members have the opportunity to forge creative relationships with any of award-winning coaches in the form of individual written feedback with detailed song (or lyric-only) evaluations and constructive suggestions emphasizing lyrics, music/production, originality, commercial potential, and even a chance to be awarded “Best of SongU!”

HERE’S WHAT OUR MEMBERS ARE SAYING ABOUT COACH #2245 (aka Michele Vice-Maslin)!

“I am really thrilled with your Best of SongU recognition – you had awarded that for [my other song] ‘Marisol’ as well – and it means a lot. Both were probably more work than I would care to admit so it feels great to be recognized. I’m so happy that you liked it and found it relatable – THANKS!” -J.M., CT

“Thank you for the feedback. Once again you’ve opened my eyes through your insight. I definitely want to get away from cliche writing and hope to look get better at recognizing it when I write. Thx again!”D. Brown, GA

About Michele

About Michele: This coach is a two-time Emmy Award winning songwriter and producer who has written hit songs in multiple genres for artists all over the world, as well as having several thousand film/TV placements. This coach is also a music producer and music publisher who is well versed in song pitching and placing, and business issues pertaining to the music industry. Specializes in evaluating Pop, R&B, Hot AC, Top 40, Dance, Alternative, Urban, Country, Singer-Songwriter, Film/TV/Songs for Sync Licensing.

Michele’s Coaching Philosophy: “My coaching philosophy is one of empowerment and inspiration along with some real and straightforward honesty about what I believe is important in the way of crafting a great song – for personal satisfaction of course – but also for commercial success.”


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The Open-Mic Experiment

A couple of years after we got married, Danny and I packed up our hand-me-down couch, dinette set and mattress, and moved from Edison, NJ to Nashville, TN with a notion to eventually make our living as songwriters. We had at least thought ahead enough to have saved some extra money to open a savings account, and had acquired employment to give ourselves a steady income in case the “songwriting thing” didn’t happen right away. Big dreams can take awhile, as you might imagine.

Most nights we’d head out to “writer’s nights”, often to the infamous Bluebird Cafe, to listen to songwriters sing their original songs and tell the stories behind them: “Well, about a year ago my co-writer and I got together and he was telling me about his wife’s grandma and grandpa and how after 60 years of marriage, they’d been separated in a nursing home on different floors. She’d stopped talking until one day they wheeled him into the room and she asked, ‘where have you been’, and we just started writing a song about it.”

Night after night the writers would start strumming their guitars and singing a few bars until the audience realized they were listening to one of their favorite songs recorded by Kathy Mattea or Garth Brooks or Reba McEntire or Tim McGraw or Bonnie Raitt and so on. There would be an audible sigh and an eruption of appreciative applause. There’s really nothing more breathtaking then hearing a hit song sung in its simplest form by the person who wrote it.

It didn’t take long to realize that singing one’s original songs at open-mics and writer’s nights was a right of passage in Nashville…whether or not you were a performer. There were opportunities to “play out” for every level of writer from those who were fresh-off-the-turnip-truck to those who were polished and perfected. As newbies, we’d go out to listen and support the other newcomers, our incoming class, as it were.

The first time some friends asked us to perform at a writer’s night they were hosting, I was TERRIFIED. It took some serious self-talk to step up on that stage. But when it was all over, after I had heard my shaky voice coming back through the monitor and I kept going, after Danny played the last chord on his keyboard and I heard some clapping, after I had not spontaneously imploded, I had my “aha” moment. Great songwriting requires you to be at your most vulnerable and your most courageous at the same time.

Those writer’s nights were a big part of my songwriting education. They forced me to face my fears and time and again push beyond my comfort zone. They allowed me to test out new material and get better at what I was trying to do. Most importantly, playing out gave me the opportunity to interact with my peers in a supportive and constructive way, as well as to meet co-writers and friends who have lasted a life time (Shout out to Carol & Dale, and Nancy & Fett).

On August 14th, we’re inviting our SongU members to take part in this same kind of educational experience with a virtual open-mic experiment, hosted by long-time member, Mitch Townley. Whether we’re experienced or aspiring, whether we’re singers or vocally “challenged”, ready or not, here we come!


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Featured Coach: A Conversation with Michele Vice-Maslin

Today, I have the pleasure of talking with one of SongU’s long-time mentors and coaches, two-time Emmy Award winning songwriter and producer, Michele Vice-Maslin.

Michele Vice-Maslin

Michele, I’ve got to start by asking what’s helping you cope during this time of Corona?

Well I am a complete hermit so besides my lack of a hot tub to slip into I’m doing just fine and feel blessed! Also I really aspire to be a “Happy Girl” as one of my songs is called. That always helps one c ope, finding and holding on to their “happy”. A little “hippy dippy” I know but it’s true!

…But first off what helps me cope are my amazing Students at SongU and in my FROM SONG TO SYNC course! I am so busy coaching, mentoring, teaching, guiding, hand holding and seeing “light bulb moments” go off!… It is beyond rewarding and fulfilling!

I’ve actually never been busier so I think I am too tired to have to cope. LOL. In addition I’ve been writing with my favorite artist smooth jazz R&B legend Jonathan Butler for his new album and writing /producing songs for my own little pet artist project (2 of the songs appear on the Mpath PHENOMENAL WOMEN album series), plus other productions so I’m busy with that. I’m busy guiding my new intern Jeremiah. I’m busy pitching. I’m busy participating in tons of webinars mostly about all things music biz like Neighboring Rights, The MLC, Music Licensing, and so forth. I’ve been speaking on a bunch of webinars too… and so on and so on. All a great distraction from the difficult “mess” at hand that we all share.

And to top it off, as you and I discussed a little while back Sara…all the cooking. OH MY! Right now it’s after midnight I’ve been up working since 7am and I still have dinner to cook. Hahaha No time to think of coping

How has the current state of the world affected your writing, production, and pitching?

It hasn’t much affected the producing and pitching and solo writing. I am still doing that. Yes there are much less specific projects in production but still I always have backlogs of new songs that need to be pitched and brought to the attention of the “powers that be”. It has however very much affected the co-writing for me. I don’t like to collaborate virtually at all!  In fact I usually have a strict policy of “in the same physical room at the same time from complete scratch”. The only person I write virtually with is my main collaborator Larry Treadwell whom I’ve worked with for 39 years and know so well. I’ve also made an exception with Jonathan whom I’ve worked with for 20 years.  

Actually I’m always impressed by the Songu members I coach and their ability to co-write virtually even before the pandemic.

What qualities do you look for in a co-writer?

Of course if they are what I consider a good writer, which is subjective any way but after that mostly I look for someone I like, who is a nice human, a good human, an honest human. 

As a coach and mentor, you inspire so many songwriters. What inspires you?

The songwriters I coach and mentor! They inspire me everyday!  Some of them are soooo talented they could be teaching the class!  In the last 2 weeks alone I have heard some really amazing songs from them!  Life itself as well has always inspired me! Paying attention to all that is going on. Listening, watching, participating.

Do you have a favorite story you can tell us about one of your song placements? 

I have so so many but probably it’s my first one. That is what is coming to mind. It was 1987 and I was the songwriter, producer, arranger, creator of a “performance art project”. I had films and slide shows and actors doing skits accompanying the songs. The songs themselves and the whole project made Bjork look “normal”. 🙂 The whole thing was beyond alternative and avant-garde. I had a friend who was directing his first feature film TAPEHEADS. It stars Tim Robbins, John Cusack and the R&B/Soul legends Sam Moore (Of Sam & Dave) and Junior Walker (Of Junior Walker And The All Stars) Sam & Junior were playing the fictitious duo “The Swanky Modes” in the film. The director(my friend) asked me if I had any friends that created R&B/Soul music and if so could they submit some tunes for the film. So I grabbed my writing partner Larry, whom I previously mentioned, and we wrote and produced up (after much careful research and listening) a song to submit. Now remember I am a weird “Performance Artist”  who writes very odd songs, so what to do what to do… how to submit…? The director (who actually directed the films and slide shows in my performance art project) would never have considered any R&B/Soul song I might come up with so…I submitted it under a pseudonym… and voila!! In the movie. With the legendary Sam Moore and Jr. Walker recording it. My first cut and placement at the same time. In a major big budget film…and then haha I became knows as an R&B writer. Crazy stuff! I think the moral of that story is just go for it!!! Give it a try! Ya never know…

What music have you been listening to lately?

I listen to so much music. I’ve been listening to a lot of hip hop as I am producing a really cool hip hop/rapper artist. Khalid, Kanye, Money Can’t Buy, A.J. Tracey, Troye Sivan, and others. Also a lot of pop music. Katy Perry, Halsey, Dua Lipa, Sean Mendez, Jonas Brothers, Charlie Puth, Kim Petrus, Tov Lo, Hayley Williams, Ellie Goulding… so so many and the songs of my friends, colleagues and students. Every day I listen to new music. I subscribe to some online newsletters that are always introducing me to new music.

Thank you, Michele, for offering professional advice and songwriting education to our SongU writers ! You rock!

Thank you for these really great questions Sara and thank you so much to you for having me. It’s really an honor. This is my 14th at Songu and it has enriched my life beyond measure. I’m so proud to be a part of the Songu family! I love my students!

I can’t believe it’s been 14 years already! Time flies when you’re having fun (and learning new things all the time). Thanks again for your time, Michele!

ABOUT COACHING AT SONGU.COM

In addition to our 20+ live audio/video small-group song feedback courses each month, our members have the opportunity to forge creative relationships with any of award-winning coaches in the form of individual written feedback with detailed song (or lyric-only) evaluations and constructive suggestions emphasizing lyrics, music/production, originality, commercial potential, and even a chance to be awarded “Best of SongU!”

HERE’S WHAT OUR MEMBERS ARE SAYING ABOUT COACH #2245 (aka Michele Vice-Maslin)!

“I am really thrilled with your Best of SongU recognition – you had awarded that for [my other song] ‘Marisol’ as well – and it means a lot. Both were probably more work than I would care to admit so it feels great to be recognized. I’m so happy that you liked it and found it relatable – THANKS!” -J.M., CT

“Thank you for the feedback. Once again you’ve opened my eyes through your insight. I definitely want to get away from cliche writing and hope to look get better at recognizing it when I write. Thx again!”D. Brown, GA

About Michele

About Michele: This coach is a two-time Emmy Award winning songwriter and producer who has written hit songs in multiple genres for artists all over the world, as well as having several thousand film/TV placements. This coach is also a music producer and music publisher who is well versed in song pitching and placing, and business issues pertaining to the music industry. Specializes in evaluating Pop, R&B, Hot AC, Top 40, Dance, Alternative, Urban, Country, Singer-Songwriter, Film/TV/Songs for Sync Licensing.

Michele’s Coaching Philosophy: “My coaching philosophy is one of empowerment and inspiration along with some real and straightforward honesty about what I believe is important in the way of crafting a great song – for personal satisfaction of course – but also for commercial success.”


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Your Kind Words are Music to Our Ears!

“Hello, This is a VERY competitive business as you know but it is encouraging to know that a song I wrote “Southern Life” is a ” Maybe” to get pitched for a major artist! Thank you SongU Team!! I know you are busy but wanted to let you know that I have several people pitching my Songs and YOU are by far the most Professional, Kind, efficient group that ALWAYS responds and clearly has a CRAZY work ethic! You know as well as I do that that is what inevitably leads to success! I LOVE IT!”

–Roger Brantley (LA) on 3/13/20

“I was a first time user of the e-classroom and enjoyed being able to participate in the course.”

— Alina V. (FL) on 3/18/20
For Diona DeVincenzi, FDBK 225-Indie, Film-TV, Production Feedback

“Many thanks for filling in, Sara, and also for the great feedback. Listened to the full transcript today and enjoyed it. Nice to see more Scots in Songu. I hope Lisa is OK.”

–Alex H. (Scotland) on 3/20/20
For Sara Light, FDBK 210-Song Feedback

“I’m enjoying getting ideas, feedback and inspiration as with the virus escalating now my co writers and I can’t meet to work on our new stuff so online is definitely a way forward and I’ve had some good food for thought from the coaching reviews and the two on line classes I’ve attended on the songs particularly the ones that need some work. I’ll look forward to another class soon. Kindest regards and stay safe.”

–Jane H. (U.K.) on 3/23/20

“Bob always brings his ‘A’ game. He has a very honest and passionate approach to helping. You can really tell he loves what he does. Even if I don’t agree with him on every point. I can still understand where he is coming from.”

–Shawn F. (NJ) on 3/25/20
For Bob Dellaposta, FDBK 315 Publisher Song Feedback

“Marcia has been one of my “go-tos” for a long time now. Really appreciate her take. I count her as a friend besides. Benn is always there to keep us straight. Sara, Danny, and Martin, the whole SongU community is an avid, major part of my writing track. Thanks so very much guys!!”

–Brad Y. (NY) on 3/26/20
For Marcia Ramirez, FDBK 140 Song Feedback

“Always awesome!”

–Ricki B. (WI) on 3/27/20
Nancy Peacock & Queenie Mullinex, FDBK 330 Sync Licensing Production Feedback

“I wanted to share with you a copy of the note I recently sent to the UK Songwriting Contest: A big ‘thank you’ to the UKSC for the wonderful prize of a free trial membership to songu.com. Not only have I learned A LOT by participating in a variety of their online courses and seminars, but I have taken advantage of their pitching opportunities as well… and good news!… one of my songs was recently picked up by a publisher! Needless to say, I’m thrilled!”

–Elizabeth Roberts (U.K.) on 3/28/20


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Writing About Current Events From a Different Perspective

“With history piling up so fast, almost every day is the anniversary of something awful.” – Writer & Artist, Joe Brainard

Recently, while cleaning out my closet, I happened upon a small book of Daily Meditations given to me by a friend a long time ago called The Promise of a New Day (copyright 1983). The book goes through each day of the year and offers a quote and a short spiritual reflection.  I hadn’t opened this book in well over a decade, but last week I found myself turning to the February 7th meditation which begins with the quote at the top of this page. 

At first I was surprised to read this quote from the 1980’s that felt so relevant for today’s world. But then I realized that in every decade, at every point in history change is inevitable, and with change comes discomfort, fear, anger, and as the quote says, “the anniversary of something awful.” Joe Brainard died in 1994 of AIDS. Can we take a moment of pause to reflect on how incredibly scary and sad that time in our history was until, thank goodness, we found a treatment for HIV?  Our amazing scientific and medical community created an antidote to something horrific.

Obviously, as writers and artists, we have a responsibility to reflect the trouble in the world around us as songwriters like Woodie Guthrie and Bob Dylan did in the 1960’s. But can’t we also create an antidote to the daily assault of awful news? If history is comprised of times of trouble, war, disease, hunger, and hate, isn’t it just as important to highlight the love, compassion, simple moments of trust, help, hope, and success?

As a songwriting exercise, try making a list of the little things that have kept you motivated, inspired, happy, or brought you peace of mind, during these difficult times. Kissing your loved one good night, scratching your dog’s tummy, taking a walk near a stream, sipping on a hot cup of coffee, holding open a door for a stranger and exchanging a smile. Keep a section in your “title book” or idea journal specifically for a daily dose of positivity. See if you can practice a heightened awareness for the the good things that we often take for granted like a compliment from a friend, being in the fast line at the grocery store, having enough gas in your car, birds chirping when you open your door, or a warm coat when it’s cold outside. Write it all down.  These specifics will inform your lyric with a universal theme of gratitude and  provide a different perspective on our current events. Bring this perspective into your next song.

 


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Finding Time to Write

“Who will free me from hurry, flurry, the feeling of a crowd pushing behind me, of being hustled and crushed? How can I regain even for a minute the feeling of ample leisure I had during my early, my creative years? Then I seldom felt fussed, or hurried. There was time for work, for play, for love, the confidence that if a task was not done at the appointed time, I easily could fit it into another hour. I used to take leisure for granted, as I did time itself.” 

— Bernard Berenson, Sunset and Twilight, from the Diaries of 1947-1958

I am finding that the older I get, the more difficult it is to feel unencumbered. I do not have the same sense I did in my 20’s and 30’s of having the time or energy to follow my muse, explore my own interests, or even rest my mind.  The tasks that I commit to now, even the ones I voluntarily choose, come with a sense of heaviness;  How will I fit that in to my schedule? What do I prioritize today? If I do THIS, it’ll take away from THAT.

I’m beginning 2018 pretty well. I’m back to starting most days with a yoga video and green tea BEFORE I check my schedule, answer my emails and walk my dog. I’m even on a streak with my Headspace meditation app and I’m finally able to turn off my brain at night and get some deep sleep. And, check this out, I’m writing a blog entry (an activity that I enjoy, but usually fits into the “how will I fit that into my schedule today?” category).

Some of the lessons I find that are working for me this year that I haven’t tried in the past are:

  • Doing a little bit consistently can be as satisfying as going “all in”.  This is a good one for songwriters. If you only have a couple of minutes to work on a song today, do that. Don’t wait until you have half a day to devote to writing a whole new song. If you think one new title today call that your day’s work and let yourself feel accomplished.
  • Good is good enough.  Perfection isn’t a mandatory requirement. Just get the job done the best you can in the time you have and move on. Don’t berate yourself for not doing something exactly the way you imagined.  This frees up a lot of time.
  • Deadlines are often flexible.  I have been noticing that a lot of the people around me also feel crunched for time. Because of that, they often are more than happy to move around appointments and extend deadlines. They, too, have a million other things they can fit into that slot.  Flexibility reduces stress.
  • Take a break from social media. Yikes, lately, I have been seeing so many articles about the addictive (aka drug-like) qualities of those pings and likes and notifications. It wasn’t a coincidence that on my birthday this year, as much as I thoroughly enjoyed reading all the sweet notes and well-wishes throughout the day on Facebook, I also left my notebook with my favorite recipes on a shelf in the grocery store (never to be recovered), threw my dog’s leash out with the trash and generally walked around with fog-brain as if I were hung-over.  This week, I resisted the urge to post a cute picture of my daughter hugging our dog in the unusually snowy day in Nashville. That meant that I also missed seeing all the  photos of my friends’ kids. But the payoff was additional time and FOCUS.
  • “The only way past it, is through it.”   This is my new mantra every time my procrastination instinct kicks in. I got this one from an interview by Gretchen Rubin of writer Greer Hendricks .

Wishing you all contentment and time to explore your muse in the new year!

 


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November. How Do You Feel?

“The days are long, but the years are short.” – Gretchen Rubin

It’s the first of November and sleigh bells ring…are you listening? I walked into the local bagel shop this morning and heard Winter Wonderland streaming through the speakers. I caught myself humming it all day long. The song itself makes me feel festive, but the idea that November marks the official commencement of the holiday season and the beginning of the end of the current year, well, that makes me feel a little…I dunno. Relieved? Accomplished? Anxious? Hopeful?

If you’re like me the last couple of months of the year are bittersweet. On the positive side, I can look forward to a little time off from work and school, a few days to sleep in, some shiny new stuff for the house, a chance to see friends and family. On the other hand, I’m running out of time to clean out the closet and bring those old clothes to Good Will. I’ll have to come to terms with the fact that I didn’t even start the book I was planning to write this year. I’ll notice that the extra pound or two or ten that I was sure I’d work off are still there and my bike is still gathering dust in the garage. Above all, the next two months will be a time of reflection. A time to remind myself to practice gratitude.

As the year is winding down and the new year is almost here, how do you feel? What’s the first word that comes to your mind? Feel free to share it in the comments area.


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10 Facts About Music Licensing That Will Put You In a Good Mood by Diona Devincenzi

Let me introduce you to my friend, Diona Devincenzi (isn’t that one of the lovliest names you’ve ever heard?).  I met Diona, a talented singer-songwriter, in the early 1990’s when we were both fairly new to the “Nashville thing.” Perhaps she’ll remember the story about how back in the day, when we were all pretty broke, she invited Danny and me for a dinner at her place. Having gotten used to eating a lot of vegetarian Pot Lucks with friends, I was shocked that she and her fella, Jerry, served us a REAL meal…appetizers, main dish with meat, dessert…the whole kaboodle! She chuckled at my delight. Ah, those fond memories of being a starving artist. 

Diona has remained on the cutting edge of the songwriting business, traveling back and forth from Nashville to the West Coast.  I’ve always admired what a hard worker and go-getter she is. Here’s one of my favorite articles from her blog Savvy Songwriter. You can find out more about her (besides that it’s grand to be invited to her house for dinner) at her website dionadevincenzi.com

-Sara


10 FACTS ABOUT MUSIC LICENSING THAT WILL PUT YOU IN A GOOD MOOD

I’ve been hearing and reading a lot of doom and gloom about the music industry lately. Articles which lament the demise of the value of music and the dwindling earnings from making and selling it. So I wanted to present a different perspective in an area of the music business that is actually thriving: MUSIC LICENSING.

Here are 10 facts about music licensing that will put you (or should put you) in a good mood.

1. YOU CAN ACTUALLY MAKE SOME MONEY AT IT
Yes, you actually can. You’re not going to get rich with just one placement, but if you are a prolific writer with many songs that are placeable, you can make some decent money. BUT, be prepared to be patient because it won’t roll in over night.

2. THERE ARE MILLIONS OF OPPORTUNITIES TO PLACE YOUR SONGS IN FILM/T.V. AND MULTI-MEDIA EACH YEAR
According to IMDB (Internet Movie Database) there were over 2,000,000 opportunities to place your songs in film & television just last year alone.

3. YOU DON’T HAVE TO BE 20 SOMETHING.
Those years are past me and many others I know in the music licensing business, but that doesn’t matter because what people need desperately are songs to place with their visual production. And they don’t care how old you are. They only care how good your song is and how it might fit their project.

4. IT’S A RAPIDLY GROWING INDUSTRY.
In fact, it’s the only part of the music industry that is growing, besides touring. Need we talk about CD sales? No, already done. But as content is king, so are songs.

5. YOU CAN WRITE IN MULTIPLE GENRES.
If you want to, you can write in every genre imaginable, and even some that are new hybrids. If you want to write a pop/rock song, go for it. If you want to tackle a Bollywood tune, no problem. You get to write whatever you want, as long as it’s commercial.

6. IF YOU WRITE BOTH LYRICS AND MUSIC, THEN YOU BASICALLY HAVE YOURSELF TWO TRACKS FOR THE PRICE OF ONE.
Many times a music supervisor (decision maker) will ask for and use the instrumental track versus the vocal one. Well, no problem, you literally have 2 songs – one with both lyrics and music and one with just the music. You double your opportunities as well as your catalog. And that’s just a side benefit.

7. YOU’RE GOING WHERE THE MUSIC INDUSTRY IS HEADING.
We all see the writing on the wall when it comes to CD sales. It’s all about streaming these days. If you’re writing for the music licensing opportunities, then you’re at the forefront of where music will be in the future. Sure, no one can really tell the future. But with all of the cable channels and new networks and “screens” popping up to enjoy content, there is a growing marketplace for usage of songs. If you’re not thinking about music licensing then you’re out of the game.

8. YOU DON’T HAVE TO HAVE A PUBLISHING DEAL.
Middlemen are disappearing in the music industry, much like a lot of other industries. There are more and more opportunities to pitch your songs directly to the gatekeepers, thanks to technology allowing for direct access.  You couldn’t do this 20 years ago. So welcome to the directness. Just make sure you are prepared when you do pitch your songs though, because as the saying goes, “You only one chance to make a first impression”.

9. THERE ARE RESOURCES TO LEARN MORE ABOUT MUSIC LICENSING.
I scoured the four corners of the earth to find out all I could about music licensing when I started getting involved. I still consume all things music licensing in the way of books, blogs, articles, podcasts etc. In fact, I’m in the process of writing an e-book right now on it.  And thanks to Google search and the like, all the stuff you need to know about music licensing is at the tips of your fingers.

10. IT’S A THRILL WHEN YOU HEAR YOUR SONG IN A FAVORITE TELEVISION SHOW, MOVIE OR AD.
We all write songs because we love it. Well, this part of the glory of your hard work is really gratifying. ‘Cuz you get to tell all your friends and family about your latest rockstar placement.

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Diona Devincenzi is a songwriter/producer born in San Francisco and hanging her hat in Nashville. Check out her blogs at Savvy Songwriter .


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Natural Influences in June

“There is nothing more musical than a sunset – Claude Debussy”  

Debussy asserts that musicians “read but too little from the book of Nature.” What sights, sounds, or places in nature do you find musical? Share your thoughts in the comment area.

Thanks to @liveloveFranklin for this photo of my hometown