Running now through June 30th, 2025, this Special Event Pitch offers you a chance to be selected for a collaborative writing session with artist and producer Dylan Emmet and indie artist Constance. The song you co-write could become part of either of their artist projects or be pitched to other artists.
About our Guest: With over 3 million streams on his own Spotify project and over 15 million streams on tracks he’s written or produced Dylan Emmet, knows how to create songs that resonate globally. His music has been featured on ESPN, FOX SPORTS, NBC, MTV, and the Beijing 2022 Winter Olympics. A seasoned vocalist, guitarist, and producer, Dylan brings over 20 years of songwriting experience and technical mastery in Pro Tools, Ableton Live, and Logic Pro to every session. Listen to his music.
In addition, Dylan is SongU’s newest Songwriting Feedback mentor. Here’s what our members are saying:
“Dylan is incredibly knowledgeable and was extremely helpful with feedback on everyone’s songs. He is an awesome addition to SongU. ”
“Dylan created a conversational atmosphere where I felt I was right in the room with an eclectic group of writers-a pleasant and engaging experience with everyone’s songs and an added value of his insight into what makes a good song great.”
Here’s more about the artist Constance, Dylan’s long-time collaborator, whose project “NeonHeart” was in the EDM world and had some features with major artists in the scene like Said The Sky and 3LAU.
CONGRATULATIONSto the following SongU writers for having their songs signed or pitched for the following leads between December 6, 2024 and February 5, 2025.
Pitch For Publisher. Contemporary Country.Maddye Trew. (Updated 1/3/2025: Maddye continues to meet directly with this guest, resulting in 5 holds on her project for SU members.) A Street Pitch guest and music publisher who has already generated income for SongU members is listening to …
• Ricky Amburgey (Rick Amburgey/Alyssa Newton) “PRINCES” (Date picked up: 1/2/2025) • Ricky Amburgey (Rick Amburgey/Alyssa Newton) “HERE’S TO ALL THE WOMEN” (Date picked up: 1/3/2025) • Ricky Amburgey (Rebecca Lynn Howard/Joyce Sampson/Rick Amburgey) “BEHIND” (Date picked up: 1/3/2025) • Edward Bentley (Jordan Rainer – Ed Bentley) “MY TURN FISHING” (Date picked up: 1/2/2025) • Shawn Fitzgerald (Shawn Fitzgerald) “STARDUST AND STEEL 2.0” (Date picked up: 1/2/2025) • Bobby Johnston (Bobby Johnston, Donna Ulisse, Rick Stanley, Erin O) “BEFORE I LET MY HEART GO” (Date picked up: 1/2/2025) • Bobby Johnston (Jerry Salley, Bobby Johnston, Erin Ott) “LONELY LONG” (Date picked up: 1/2/2025) • Kevin Kilberry (Kevin Kilberry) “THINGS MY MOTHER SAID” (Date picked up: 1/21/2025) • Kevin Kilberry (Kevin Kilberry) “IT’S ONE OF THOSE DAYS – FEMALE” (Date picked up: 1/2/2025) • Carey Latham (Carey Latham, Carin Fradin, Kyle Jackson-Rachky) “DRINK IT OFF” (Date picked up: 1/27/2025) • Stephen adrian Lawrance (Stephen Adrian Lawrance, Misty Lee Tassone) “LETS GET IT STARTED” (Date picked up: 1/2/2025) • Bobby Roberts (Bobby Ray Roberts) “THAT MONEY SONG” (Date picked up: 1/2/2025) • Jeff Roe (Jeff Roe, Brett Moody, Randy Morrison) “COVER GIRL” (Date picked up: 1/2/2025) • Mary Zalla (Mary Zalla) “GRIT” (Date picked up: 1/2/2025)
Pitch For Publisher. Contemporary Country.Cody Johnson. Veteran music publisher with multiple current cuts on major artists is seeking songs for Warner Music Nashville recording artist Cody Johnson. Before pitching, please read the entire description (a few times;-). This is a competitive …
Pitch For Publisher. Christian Contemporary (CCM), Christian Praise/Worship.Various Contemporary Christian Artists. Re-Opened! A Street Pitch guest and music publisher who has already generated income for SongU members is listening for MID and UP-TEMPO, high-spirited Contemporary Christian and Praise & Worship style …
• Garland Bost (Garland Bost / Dawn Trudeau) “YOU LOVE ME MORE” (Date picked up: 1/21/2025) • Rick Burge (Rick Burge) “JESUS HELP US” (Date picked up: 1/21/2025) • Randall Cohen (Randall Parker Cohen) “AWESOME MIGHTY KING” (Date picked up: 1/21/2025) • Randall Cohen (Randall Parker Cohen) “THE LIGHT” (Date picked up: 1/21/2025) • Priscilla Connolly (Priscilla Connolly) “MY ROCK” (Date picked up: 12/20/2024) • Luke Denison (Luke Denison) “WATERS (RESCUE ME)” (Date picked up: 1/21/2025) • Kerry Jeter (Kerry Jeter) “SOAR “ (Date picked up: 12/16/2024) • Ray Kayanek (Ray Allen Kayanek/Clare Steffen) “GOOD THINGS HAPPEN” (Date picked up: 1/21/2025) • Ray Kayanek (Ray Allen Kayanek/Clare Steffen) “I AM” (Date picked up: 1/21/2025) • Jeffrey Leavitt (Jeffrey Scott Leavitt) “TENACIOUS LOVE” (Date picked up: 12/16/2024) • Abigail Marmion (Abigail Marmion/Edward Gaus, Jr.) “THE ONE SURE THING” (Date picked up: 12/20/2024) • Abigail Marmion (Abigail Marmion, Edward Gaus Jr) “WHILE WE WAIT” (Date picked up: 12/20/2024) • Mac Millen (Tim Stewart, Toy Polo, Mac Millen) “FROM A BULLET TO THE BIBLE (TIM’S VERSION)” (Date picked up: 1/21/2025) • Scott Miller (Dan Curry/Scott Miller) “VICTORIOUS” (Date picked up: 12/20/2024) • David Pellegrini (David Pellegrini) ” LORD YOU’RE WORKING IN MY LIFE VERSION 2″ (Date picked up: 12/20/2024) • David Pellegrini (David Pellegrini) “EYES UP” (Date picked up: 12/16/2024) • Tyler Porter (Tyler Porter) “COMPASS” (Date picked up: 12/20/2024) • Keith Sasser (Keith Sasser. Lee McAlpin, Toby Parsons) “DOWN ON MY KNEES” (Date picked up: 12/20/2024) • Tim Schlesener (Tim Schlesener) “I STILL BELIEVE” (Date picked up: 1/21/2025) • Mitch Townley (Curry, Miller, Parker, Townley) “LET HOPE RAIN” (Date picked up: 12/16/2024) • Mitch Townley (Curry, Miller, Parker, Townley) “GOD’S AWESOME LOVE” (Date picked up: 12/16/2024) • Rita Weyls (Weyls, Mallon-Hallend/Wooten) “DO WHAT’S RIGHT VERSION 2” (Date picked up: 1/21/2025) • Rita Weyls (Xxxx) “ARE YOUR REASONS RIGHT “ (Date picked up: 12/20/2024) • Thomas White (WHITE CABIN MUSIC) “THIS SIDE OF HEAVEN” (Date picked up: 12/16/2024)
Pitch For Publisher. Country, Pop.Dolly Parton. Re-Opened! A Street Pitch guest and music publisher who has already generated income for SongU members is listening to songs for Dolly Parton. Note from the Pitch Guest: UPDATE: Thanks for all the songs you sent last fall. …
• Marvin Adcock (Marvin Adcock) “MIRACLE PILL” (Date picked up: 1/7/2025) • Kevin Kenney (Kevin W. Kenney) “SHINE, POP VERSION “ (Date picked up: 1/15/2025) • Templeton Thompson (Templeton Thompson, Sam Gay & Max Jackson) “LOVE FILLED LIFE” (Date picked up: 1/15/2025)
Pitch For Publisher. Country.Steve Champion. A Street Pitch guest and publisher who has already generated income for SongU.com members is seeking songs for Average Joe Records artist Steve Champion. What to Submit: Looking for HIT RADIO singles. Any tempo. He writes, …
• Paul Longwell (Paul Longwell) “I’M ALSO A SON” (Date picked up: 1/6/2025)
Pitch For Licensing Agent. Pop, Singer Songwriter, Soul, Indie.Contemporary Pop Music For Movie Montage Scene. A Street Pitch guest is seeking songs for sync licensing. Please read the entire brief before submitting, and pitch appropriately. Please do not submit AI-generated material.
Brief: …
• Matt Glickstein (Matt Glickstein and Karen Mitchell) “EVERYTHING’S BETTER WITH YOU” (Date picked up: 12/6/2024) • Molly rose Hansen (Molly Hansen) “KINDRED” (Date picked up: 12/6/2024) • Kevin Kenney (Kevin W. Kenney) “SHINE!” (Date picked up: 12/20/2024)
Pitch For Licensing Agent. Electronic, Pop, Rock, Indie.Telecommunications Ad Campaign. A Street Pitch guest is seeking songs for sync licensing. Please read the entire brief before submitting, and pitch appropriately. Please do not submit AI-generated material.
Seeking: Uptempo, …
• Rhonda Gessow (Rhonda Gessow, Kendra Dantes) “CALL ME, FRIEND” (Date picked up: 12/20/2024) • Matt Glickstein (Matt Glickstein, Clayton Jones, Karen Mitchell) “WHAT’S GOOD” (Date picked up: 12/20/2024) • Mary Haller (Mary Haller, Gary King) “THE NEW AGE” (Date picked up: 1/5/2025)
Pitch For Publisher. Country, Southern Rock.6 Gun Justice. A Street Pitch guest and publisher who has already generated income for SongU.com members is seeking songs for LHM artist 6 Gun Justice. What to Submit:Spaghetti western country rock. Songs that would fit in a Western movie …
• Adam Byrd (Adam Byrd) “IN THE SADDLE” (Date picked up: 12/25/2024) • Mary Haller (Mary Haller) “DEAL WITH THE DEVIL (STOMP-CLAP VERSION)” (Date picked up: 1/6/2025) • Ken O’neal (Ken O’Neal) “COWBOY UP” (Date picked up: 12/25/2024) • Rhondalynn Pisanello (Rhonda Pisanello) “WHEN THE COWBOYS RIDE [DEMO]” (Date picked up: 12/25/2024)
Pitch For Publisher. Country.Sammy Sadler. Extended, Updated Jan ’25. A Street Pitch guest and publisher who has already generated income for SongU.com members is seeking songs for indie artist Sammy Sadler. What to Submit: Update: He has had a change of direction. …
• Marvin Adcock (Marvin Adcock) “CLOSER THAN THEY APPEAR” (Date picked up: 12/30/2024) • Marvin Adcock (Marvin Adcock) “MY BEST IS YET TO BE” (Date picked up: 12/30/2024) • Marvin Adcock (Marvin Adcock) “MIRACLE PILL” (Date picked up: 1/1/2025) • Marvin Adcock (Marvin Adcock) “TOO GOOD TO BE FORGOT” (Date picked up: 1/27/2025) • Marvin Adcock (Marvin Adcock) “ORDINARY DAY” (Date picked up: 1/27/2025) • Ricky Amburgey (Marti Jane Dodson/Carin Fradin/Rick Amburgey) “NOBODY KNOWS” (Date picked up: 2/5/2025) • Janet Devers (Doug Stanglin and Janet Devers) “CAN’T WE TRY” (Date picked up: 12/30/2024) • Paul Jarvis (Paul Jarvis) “YOU MADE ME” (Date picked up: 2/5/2025) • Jon Philibert (Jon Philibert) “BACK IN WAYCROSS TONIGHT” (Date picked up: 1/8/2025) • Jim Purtell (Jim Purtell and Ricki E. Bellos) “BLUE SKY RAIN” (Date picked up: 1/16/2025) • Greg Smith (greg p smith, sandy ramos, bronson hetzer) “WRAP YOU UP IN LOVE DMB” (Date picked up: 2/5/2025) • Eric Spiegel (Eric Spiegel, Brian White, Joe Beck) “NEVER TOO LATE” (Date picked up: 12/16/2024) • Rita Weyls (Rita Weyls) “BRING YOUR BROKEN HEART TO ME” (Date picked up: 1/6/2025)
Pitch For Publisher. Country.Vicki Vann. A Street Pitch guest and publisher who has already generated income for SongU.com members is seeking songs for Red Canyon Records artist Vicki Vann. She is an American country music artist, entrepreneur, and businesswoman. She has …
• Robbi Atkins (robbi atkins) “SPARK!” (Date picked up: 1/8/2025) • Janet Devers (Doug Stanglin and Janet Devers) “CAN’T WE TRY (FEMALE)” (Date picked up: 1/1/2025) • Carol Hashe rainone (Carol Hashe Rainone/Vickie Hopper) “ONLY LONELY” (Date picked up: 12/16/2024) • Ronald Hill (Rebecca Lynn Howard, HappyRon Hill, Russ Still) “DROP OF SOUL (SUNG BY REBECCA LYNN HOWARD)” (Date picked up: 1/6/2025) • Dana Pagane (Dana Pagane; Mark Burch; Melissa Corrigan) “CAN’T LOVE YOU TOO LONG FEMALE VERSION “ (Date picked up: 12/16/2024) • Roger Rounce (Roger Rounce / Byron Hill) “I SEE HER CRY” (Date picked up: 12/16/2024) • Rita Weyls (Rita Weyls) “HOW TO LET YOU GO” (Date picked up: 12/18/2024) • Rita Weyls (RITA WEYLS) “MONDAY MORNING CRAZY” (Date picked up: 1/1/2025)
Pitch For Publisher. Country.Brandon Scott Jones. Quick Pitch! A Street Pitch guest and song plugger who has generated income for SongU members is looking for songs for Wood Thrush Records artist Brandon Scott Jones. Please read the description carefully and pitch appropriately. …
• Marvin Adcock (Marvin Adcock) “LOVE AT FIRST DANCE” (Date picked up: 12/19/2024) • Adam Byrd (John Cirillo/Chip Martin/Adam Byrd) “A BAR IN HEAVEN” (Date picked up: 12/19/2024) • Janet Devers (Doug Stanglin and Janet Devers) “CAN’T WE TRY” (Date picked up: 12/13/2024)
Pitch For A&R Representative. Contemporary Country.Emma Forgette Quick Pitch. This is a direct pitch to the A&R representative for this 19-year-old up-and-coming artist managed by MC1 Nashville/DKM/The Orchard/Sony and produced by Lucio DiToro. What to Submit SUBMIT ONE SONG ONLY (your …
• David Nicastro (David Nicastro) “MOVE ON DOWN THE LINE” (Date picked up: 12/19/2024)
Pitch For Publisher. Funk, R&B, Gospel.Lindsey Caroline. A Street Pitch guest and publisher who has already generated income for SongU.com members is seeking songs for Impulse Records artist Lindsey Caroline. What to Submit: Pay attention to the genres and styles she wants: …
• Kevin Kilberry (Kevin Kilberry and Rita Kilberry) “SHOULD I – (FEAT.,SD)” (Date picked up: 1/1/2025) • Dana Pagane (Mark Burch, Dana Pagane, Melyssa Corrigan,) “ITS NOT TOO LATE” (Date picked up: 1/1/2025) • Kenneth Riggins (Ken Riggins) “GIRL GOTTA DO /R& B VERSION” (Date picked up: 1/1/2025) • Buc Williams (MARK “BUC” WILLIAMS/PHIL JACKSON) “BETTER DAYS” (Date picked up: 1/6/2025)
Pitch For Licensing Agent. Pop, Singer Songwriter, Alternative, Indie.Dramatic TV Series – Songs with Tension. A Street Pitch guest is seeking songs for sync licensing. Please read the entire brief before submitting and pitch it appropriately. Please do not submit AI-generated material.
Seeking: …
• Amy Clay (Amy Clay) “IN THIS QUIET WITH YOU” (Date picked up: 1/30/2025)
Pitch For Licensing Agent. Pop, Singer Songwriter, Alternative, Indie.Dramatic TV Series – Songs with Melancholy. A Street Pitch guest is seeking songs for sync licensing. Please read the entire brief before submitting and pitch it appropriately. Please do not submit AI-generated material.
Seeking: …
• M G (Matty Gottesman) “THIS MIGHT BE ABOUT YOU” (Date picked up: 1/30/2025)
Pitch For Licensing Agent. Jazz.All That Jazz For Source Music. A Street Pitch guest is seeking songs for sync licensing. Please read the entire brief before submitting and pitch it appropriately. Please do not submit AI-generated material.
Pitch For Publisher. Contemporary Country.Shari Rowe. A Street Pitch guest and publisher who has already generated income for SongU.com members is seeking songs for independent artist Shari Rowe. Shari tours internationally, opening for major artists like Wynonna Judd and Diamond Rio. …
• Karel Daniels (Karel Daniels/Diane Ward/Jack Shawde) “RESTLESS” (Date picked up: 2/5/2025) • Bobby Roberts (Bobby Ray Roberts) “THAT MONEY SONG. “ (Date picked up: 1/27/2025)
And a round of congrats to those marked ‘Maybe,’ too. Keep up the great work, everyone!
About Pitching at SongU.com: On the SongU virtual campus, success is achieved through our focus on education, and making each song the strongest it can be BEFORE spending money on a demo. We offer numerous opportunities for songwriters to reach their goals, from one-on-one coaching to live feedback sessions, to peer and mentor co-writes.
The challenge of responding to the rapid rise of AI in song creation is an ongoing discussion in both the music industry and at SongU. Legal and philosophical considerations enter the conversation, creating differing responses, interpretations, and confusion. Several of the legal implications, including intellectual property rights, the use of AI models trained on copyrighted material, and what constitutes human expression, are still to be determined.
But we do know some things. In late January 2025, the official report by the Register of Copyrights, Copyright, and Artificial Intelligence, Part 2: Copyrightability, released new information and guidelines that help clear up some of the legal questions, including a critical one – “Can my AI-generated songs be copyrighted?”
Since this is a rapidly changing subject, this document is not meant to be legal advice. Instead its purpose is to explain how and why we’ve adopted our policies regarding AI at SongU. When in doubt, you should always contact a qualified entertainment attorney who specializes in intellectual property or copyright law.
Ok, let’s address the copyright question and other questions that have been commonly asked at SongU.com in recent weeks.
Copyright protects your creative work and ensures that you, the songwriter, can control how it is used, performed, and licensed. Without copyright protection, anyone could use your song freely, including for commercial purposes, without your permission. Technically, the moment you create and fix your song in a tangible form (such as writing it down or recording it), it is automatically protected by copyright. However, registering your copyright with the U.S. Copyright Office provides official proof of ownership and strengthens your legal standing in case of a copyright dispute.
If you transfer or assign your copyright ownership to a music publisher, the publisher gains control over how the song is used and licensed. In this case, the publisher receives the publisher’s share of royalties while you continue to receive the writer’s share.
Here’s a real-world example:When Paul Simon wrote, recorded, and published The Sound of Silence in 1964, he had no way of knowing that in 2015, the hard rock band Disturbed would re-record (“cover”) and release it as a single. Their version became a hit and reached #1 on the Billboard Hard Rock Chart. Because Paul Simon was the copyright owner at the time, he received royalties from the song’s performance and mechanical licenses. In 2021, Paul Simon sold his entire songwriting catalog to Sony Music Publishing for approximately $250 million. As a result, Sony now owns the copyright to The Sound of Silence and his other songs. Moving forward, Sony—not Paul Simon—will collect all publishing income and control how his songs are licensed or used while Paul Simon continues to collect the writer’s share of the income.
What’s the correct terminology to use?
Misinformation and incorrect terminology about a song’s copyright often leads to confusion. So, first we need to agree on clear definitions.
Music – A sequence of sounds arranged in a melodic structure. When human-authored, a melody is copyrightable as part of a song. Note that production, demos, chords, and arrangements are not copyrightable since copyright protects a melody’s specific expression, not general musical ideas or styles.
Lyrics – Words intended to be paired with music. When human-authored, lyrics are copyrightable and may be protected separately from the melody.
Song – A composition consisting of both melody and lyrics. When human-authored, the melody, lyrics, or entire song can be copyrighted individually or together. AI-generated melodies or lyrics alone are not copyrightable under current U.S. law.
Demo – A demonstration recording of a song (melody + lyrics) to showcase the composition before full production. If AI generates any part of the melody, the result is an AI-assisted composition—not just a demo. In this case, saying that AI was used “only for the demo” is misleading.
Production – The instrumentation and arrangement in a recording. While production affects the final sound, it does not determine the copyrightable composition (melody + lyrics). A human-authored sound recording (master recording) can be separately copyrighted, but this is distinct from the song’s underlying composition copyright.
Ownership – Paying for an AI-generated song (e.g., via Suno) does not grant copyright ownership. AI platforms may provide usage rights under their Terms of Service, but under current U.S. Copyright law, only human-authored works are eligible for copyright. AI-generated music cannot be legally “owned” in the same way as human-authored compositions.
Public Domain – Works free for public use because they are no longer protected by copyright, were dedicated to the public domain, or were never eligible for copyright (e.g., AI-generated works under current law).
What’s the big deal about using AI-generated music and lyrics?
Now that we understand copyright and the correct terminology, let’s talk about what happens when AI-generated music and/or lyrics enter the picture. As of January 28, 2025, the U.S. Register of Copyrights ruled that AI-generated works (lyrics or melody) cannot be copyrighted unless there is a “sufficient amount of human expression.” If AI generates any part or all of your melody based on your lyrics, the AI-generated portion is not eligible for copyright. Even if an AI Platform’s Terms of Service allow you to use AI-generated material commercially, according to the U.S. Copyright Office, you cannot claim ownership or copyright on that material because it lacks human authorship.
Back to Paul Simon. If generative AI existed when Paul Simon wrote The Sound of Silence, and rather than writing his own original music, he let AI generate the music, the resulting music would not have been eligible for copyright protection. Since there would be no human author, it would have no legal owner and, like an uncopyrightable work, could be used by anyone without restriction. Anyone could use that music for their own purposes and profit. They could even add their own human-authored lyrics to it, in which case their new lyrics would be eligible for copyright protection, but the underlying music still would not be since it was rendered by AI, not written by a human.
Does re-working AI-generated music or lyrics make them mine and eligible for copyright?
Making edits to AI-generated material does not grant full copyright ownership, nor does “putting your own spin” on the production. Only the portions that you change with significant human transformation are eligible for copyright protection—AI-generated portions remain ineligible. Modifications or rearrangements are not enough to establish human authorship.
What If I used prompts to get the music or lyrics exactly how I want? According to the U.S. Copyright Office, if you write only the lyrics and AI generates the music, you can only copyright the lyrics, not the melody or the full song (lyrics + melody). Similarly, if you compose the melody but use AI to generate the lyrics, only the melody is copyrightable. Prompting AI to generate a melody or lyrics—no matter how detailed —does not qualify as human-authored.
An analogy:Let’s say you’re a woodworker who designs and handcrafts furniture. Your handcrafted furniture, designed, shaped, and built by a human, is considered an original work of craftsmanship and can be copyrighted. Compare this to a person using a computer-controlled furniture-making machine (a CNC) that automatically carves, shapes, and assembles furniture based on digital instructions. While you provide input, the machine is doing the creative execution.
In the same way, writing lyrics or a melody yourself is like handcrafting furniture—you’re the creator, and it’s copyrightable. However, prompting AI to generate a melody or lyrics is like inputting a design into a CNC machine. It follows your instructions, but you are not considered the creator under copyright law.
I’m a lyricist who does not write the music. When can I claim a copyright to a song?
Is there a problem with using AI to demo my song?
This question has both legal and philosophical considerations. A demo is a recorded version of a song (melody + lyrics) used for pitching or reference. If AI is used only for demo production (e.g., AI-generated vocals or backing tracks), but a human (or humans) wrote the underlying song (melody + lyrics), the song itself remains copyrightable. However, the AI-generated elements of the demo are not eligible for copyright protection as a sound recording because they lack human authorship.
Using AI to create a demo for a song you wrote (melody + lyrics) is generally acceptable, much like hiring session musicians to record a demo. The key distinction is that the AI-generated elements cannot be copyrighted as a sound recording. AI simply provides instrumentation or vocalization for your composition, which does not affect your copyright to the melody and lyrics. However, if AI generated any portion of the melody or lyrics, it is misleading to claim you “demoed” a fully human-written song. In such cases, you must disclose AI’s involvement in the songwriting process).
The philosophical dilemma. Many songwriters use AI to generate demos because the process is cost-effective and efficient. AI allows songwriters to experiment with production, tempo, and arrangement quickly. Some people argue that using AI reduces opportunities for real musicians and vocalists. Others note that technological advancements—such as Digital Audio Workstations (DAWs) like ProTools and Cubase—have also changed the industry. Some songwriters choose to have real musicians recreate their AI demos in the studio for industry credibility.
Can I pitch a song that uses AI at SongU?
Yes, with exceptions. A pitch guest will not accept AI-generated material in certain situations, such as when sync licensing restrictions apply.
However, for any pitch that does accept AI, you must clearly state how AI was used in your submission. This information must be included in the “notes to pitch guest” field and/or on the “lyric sheet” to ensure full transparency regarding AI’s role in your song. Use the following guidelines:
If you used AI for ANY portion of the lyrics or melody, you must specify which parts were AI-generated and which were authored by you.
If you and/or another human wrote all of the lyrics and melody but used AI to create a demo, state that your song was fully human-authored and that AI was used only for demo production.
If you supply lyrics to any AI Platform and allow AI to generate any part of the melody or lyrics, you must disclose it (e.g., ‘I wrote the lyrics, but Suno generated the melody and the demo’). If AI-generated both the melody and lyrics, this must also be clearly stated.
The takeaway: A human-authored song may utilize AI to create the demo, but if any part of the lyric or melody is AI-generated, the song must not be misrepresented as fully human-written in any pitch submission.
Why wouldn’t sync agents, music publishers, or artists want to hear an AI song?
Sync Agents – AI-generated songs create legal uncertainty for licensing in film, TV, and advertisements. Since AI-generated content lacks clear copyright ownership, securing rights for use can be risky.
Music Publishers – Publishers typically require clear ownership of songs to manage rights and collect royalties. If part of a song is AI-generated and lacks copyright protection, it complicates the ability to monetize the work.
Recording Artists – Many artists avoid AI-generated songs due to legal uncertainties, rights management issues, and ethical concerns about AI in creative works.
Full transparency is required when pitching AI-assisted songs at SongU.com so pitch guests can make informed decisions based on legal, financial, and other considerations.
Can I bring my AI-generated (or partially AI) song to a SongU song feedback course and/or submit it to a coach for a song evaluation?
Some instructors in our live Song Feedback Courses (FDBK) may be open to discussing AI-generated songs as part of the educational process. However, they may choose not to provide detailed feedback on AI-generated portions of a song. Some may only offer general comments on the overall feel, while others may decline to evaluate AI-generated material entirely.
Our song evaluation coaches generally focus on human-authored songwriting. While some may provide feedback on AI-assisted songs, they are not required to review AI-generated portions. We have asked all our coaches to add a note in their coaching philosophy area about how they intend to handle AI-generated content.
If you submit a song with AI-generated elements, you must disclose this upfront so the instructor or coach can determine how to proceed.
What if I register an AI-generated song without disclosing AI’s involvement? Who’s going to know?
Falsely claiming AI-generated content as human-created when registering a work with the U.S. Copyright Office can lead to serious legal and professional consequences. Music publishers and licensing agents require clear copyright ownership, and misrepresentation can permanently damage your credibility and future opportunities in the music industry.
In addition, knowingly submitting an AI-generated work as fully human-created is considered a false statement on a federal formand can result in:
Cancellation of your copyright registration – If the Copyright Office discovers AI-generated portions were misrepresented, they can invalidate your registration.
Civil penalties, including fines and potential lawsuits, especially if you attempt to monetize the falsely registered work.
Legal liability under U.S. law – knowingly falsifying a government form violates federal law.
Criminal penalties in extreme cases – If the misrepresentation is part of a broader fraudulent scheme, you could be charged under 18 U.S.C. § 1001, which carries fines of up to $250,000 and a maximum prison sentence of five years.
The takeaway: Misrepresenting AI-generated work as human-authored is not worth the risk.
Will AI-generated songs become more accepted in the future?
Possibly. But as of now (February 2025), music publishers, sync agents, and labels still rely on traditional copyright protections. AI-generated songs remain difficult to license because they lack clear ownership and cannot be copyrighted, making rights management uncertain for commercial use.
The U.S. Copyright Office is preparing a third report, which may address the legal implications of AI training on copyrighted works and how AI-assisted content should be handled. Additionally, ongoing lawsuits against AI companies could set legal precedents that influence copyright policies for AI-generated music.
Some companies, such as Monarrch and Humanable, are developing systems to track AI-generated content and identify copyrighted material used in AI training. If widely adopted, such systems could lead to new licensing models for AI-assisted songwriting that ensure compensation for original copyright holders. Currently, the long-term adoption and use of these solutions remains to be seen.
Where can I find reliable information about copyright and AI?
For the most up-to-date and legally accurate information, we recommend:
U.S. Copyright Office – The primary authority on U.S. copyright law, including AI-related rulings.
Copyright Alliance – A nonprofit organization providing expert copyright law resources and advocacy.
Stanford Copyright & Fair Use Center – A legal research center offering clear explanations of copyright law.
Qualified Music and Copyright Attorneys – Consulting a qualified entertainment attorney is the best course of action if you have specific legal concerns.
For industry perspectives on AI and licensing, you may also check:
ASCAP (American Society of Composers, Authors, and Publishers)
BMI (Broadcast Music, Inc.)
Be cautious of outdated, misleading, or non-authoritative online sources. Some websites promote false claims about AI disclosure rules or suggest ways to bypass legal requirements, which could put you at risk of copyright violations or legal consequences.
As of February 2025, the most recent guidance on AI-generated music and copyright law is found in the U.S. Copyright Office’s report, Copyright and Artificial Intelligence, Part 2: Copyrightability, which provides the current legal stance on AI-generated music and lyrics. We recommend staying informed on new developments since AI copyright laws may continue to evolve.
How should I proceed?
Songwriting has always been about human creativity and originality. The rise of AI does not change that—it remains the songwriter’s role to craft meaningful lyrics and melodies that resonate with listeners. Generative AI is a powerful tool, and like any tool (e.g., rhyming dictionaries), it can assist in the creative process. However, AI should enhance, not replace, human ingenuity. The most successful songwriters develop their craft through experience, emotion, and originality—qualities AI cannot replicate.
AI makes it easy to generate music at the push of a button, but the Copyright Office report clearly states that copyright protection requires human authorship. True artistry comes from human creativity and experience. Those who dedicate time and effort to honing their craft bring value to the music industry and should be rewarded for their originality.
Author’s note: I couldn’t have written this document without the help and assistance of my long-time creative collaborator and co-founder of SongU.com, Danny Arena. In addition to being a professional songwriter, he also happens to be a Professor of Computer Science at Vanderbilt University (where he’s currently helping to design their Generative AI minor).
The rapid rise of artificial intelligence (AI) in music creation has sparked conversations throughout the songwriting community. For SongU.com members, the question isn’t just about the technology itself but how AI-enhanced songs fit into SongU.com’s educational and pitching landscape. The following article is based on the insights and opinions regarding AI from our SongU faculty and mentors, comprised of music publishers, song pluggers, and producers, as well as personal experiences and questions from SongU members.* Let’s delve into the heart of the matter: Can you pitch AI-enhanced songs at SongU.com?
The Short Answer
Here’s a brief summary of how we handle AI-enhanced songs specifically and solely for pitching at SongU.com by our members:
If the listing on our site states the pitch guest is not accepting AI-generated material, you may not pitch an AI-generated song to that listing or brief. However, if the listing does not mention AI, you may pitch your AI-enhanced songs, but you must disclose in the note to the pitch guest the exact way you used AI. Here are some examples: “I wrote the lyrics, but the music and instrumentation are fully generated by AI.” Or, “My co-writer and I wrote the lyrics and melody, but AI created the track for this genre.” Or, “This is my demo, but it’s an AI vocal.”
Note that, in general, the sync agents can not accept AI-generated music or vocals because it adds a layer of complexity in clearing the song for licensing. For artist pitches, the publisher or song plugger guests can go either way. Some are willing to hear what you’ve got. They can contact you if they love the song but need a “real” demo. Or, if you’re using AI for vocals only, sometimes those can work. Other publishers are adamantly opposed to AI for copyright and other business reasons.
Because of legal and copyright ambiguities, the best way to use AI is as a tool to enhance your songwriting. Using it to completely generate the melody and track is trickier (again, for copyright reasons). You should at least check that the AI program you’re using states that the vocals used for the music are not recordings or representative files of actual artists and that the music tracks are not taken directly from pre-existing copyrighted material.
The Comprehensive Answer
Here’s a more detailed exploration of what SongU’s understanding and perspective regarding AI-generated songs.
Full disclosure: I asked AI to summarize 65 pages of my personal email correspondence to the SongU faculty (pitch guests, music publishers, song pluggers, sync agents, and producers) and our members to use as source material regarding this subject, and it did a great job. Our faculty and member input gives us a clear, informative, and actionable list of what you need to know about working with AI. (I double-checked the results to ensure the content is correct and accurate.)
The Topics Covered are:
Industry Resistance to AI-Generated Demos
Sync Licensing Challenges
Ethical and Legal Ambiguities
Diverging Views Among Professionals
Using AI as a Songwriting Tool
Transparency is the Key
Creative Risks With AI
Future Trajectory for AI
Actionable Insights for SongU Members
Industry Resistance to AI-Generated Demos
Many music publishers and sync licensing agents reject AI-generated demos, citing concerns over vocal quality and copyright ambiguities.
Professionals, such as one of our music publisher mentors, emphasize that AI vocals often lack the polish needed for industry pitching. This risks their own reputations when presenting to A&R teams or sync clients.
Sync Licensing Challenges
Sync libraries, including major ones like Crucial Music, do not accept AI-generated tracks due to legal complexities and the inability to guarantee originality.
A major issue for sync pitches is that songs must be “ready to use as is,” making AI involvement a red flag for liability and quality control.
Ethical and Legal Ambiguities
Legal issues center on whether AI models trained on copyrighted material violate intellectual property laws.
Courts are still deciding the legality of AI’s training methods and outputs, creating uncertainty about its widespread adoption.
Organizations like American Performing Rights Organizations such as ASCAP, the British Rights Society, MCPS, and others enforce rules that do not allow 100% AI-generated works and require substantial human input for copyrightability. If a musical work is created with partial AI assistance but includes significant human authorship, it may be eligible for copyright protection and registration.
“If a musical work is created with partial AI assistance but includes significant human authorship, it may be eligible for copyright protection and registration with ASCAP.”
–American Society of Composers, Authors, and Publishers (ASCAP)
Diverging Views Among Industry Professionals
Some music industry professionals accept AI-enhanced demos for educational or creative experimentation, provided the songwriter discloses AI usage.
Others reject AI outright, arguing it undermines the creative process and potentially displaces industry professionals, such as demo singers and musicians.
Using AI as a Songwriting Tool
Songwriters are exploring AI tools like Suno.com and Neutone Morpho to generate tracks, test ideas, or improve worktapes, especially for those with limited production skills or budgets.
AI is seen as a means to reduce costs and generate and iterate songs quickly, but the results can vary widely in quality. Making them competitive requires significant human intervention—sometimes, as many as 100+ attempts.
Transparency is Key
There is consensus that songwriters must disclose their use of AI, especially when pitching to music publishers, song pluggers, or sync agents. Transparency can prevent misunderstandings and maintain trust.
Some members use AI-generated demos as templates, later replacing them with live recordings for pitching.
Creative Risks with AI
While AI can provide emerging songwriters with access to high-quality production tools, it raises concerns about a flood of mediocre, generic music saturating the market.
Authenticity and originality will become increasingly valued as listeners and industry professionals push back against overly polished, AI-driven outputs.
Future Trajectory for AI
Integrating AI into the creative process is a moving target, with industry standards and legal frameworks evolving rapidly.
We advise songwriters to stay informed about technological advancements, legal rulings, and industry attitudes to make strategic decisions.
Actionable Insights for SongU Members
Focus on Disclosure: Clearly indicate how AI is used in the songwriting process when pitching.
Leverage AI Strategically: Use AI as a creative assistant rather than a substitute for human contribution to ensure originality and compliance with copyright laws.
Adapt to Feedback: If publishers or sync agents request higher-quality outputs, be prepared to replace AI demos with traditional recordings.
Invest in Knowledge: Stay updated on industry trends, legal developments, and AI tools to navigate this evolving landscape effectively.
I hope this discussion gives you a better understanding of the opportunities and challenges AI brings to songwriting. It underscores the need to be ethical and intentional as we integrate AI into our songwriting endeavors.
*Thanks to the SongU.com faculty, guest, and members who contributed their thoughts, questions, and expertise to source this article. They are: Danny Arena, Martin Bell, Sherrill Blackman, Benn Cutarelli, Helen Darling, Bob Dellaposta, Diona Devincenzi, Shawn Fitzgerald, Debra Foster, Dallas Gregory, Ronald Jenkins, Kevin Kilberry, Randy Klein, Sara Light, Justin Morgan, Queenie Mullinex, Jeffrey Nelson, Michael Nichols, Lisa Palas, Nancy Peacock, Jon Philibert, Marcia Ramirez, John Schofield, Alan Roy Scott, Michele Vice-Maslin, and Debbie Zavitson
As we turn the page on 2024, it’s time to reflect on some of the fascinating trends and shifts in the music industry. This article draws on insights shared by renowned music producer, engineer, and author Bobby Owsinski, who has been at the forefront of analyzing industry trends. Through his books and podcasts, Owsinski offers a wealth of knowledge about the evolving landscape of music production, business, and technology.
With Bobby’s permission, here’s a glimpse into the key takeaways from his podcast, “The Music Biz: A Look Back at 2024”, along with predictions for 2025.
Emerging Song Trends (Data from music company “Luminate”):
Major hits featured slower tempos, with some below 79 BPM.
Only 37% of pop songs charted.
Rhyme density* in lyrics proved essential, driving better sales and listener engagement.
Traditional song forms like Verse/Build/Chorus/Bridge/Tag are making a comeback.
Streaming Statistics (Chart Metric):
3,260 new artists were added daily to streaming platforms, totaling 1.3 million new artists in 2023.
64% were solo acts, with 75% being male artists.
A staggering 87% of artists on streaming platforms gained no traction.
Shocking Online Data:
45.6 million tracks received zero plays.
86% of tracks garnered fewer than 1,000 plays.
Deezer deleted 26 million tracks due to lack of listeners.
Social Media and Streaming Platforms
TikTok’s Turbulent Year:
The platform struggled to gain traction in the U.S. music scene, largely due to licensing issues with major record labels.
Facing global bans for security concerns, TikTok’s future remains uncertain, even as it introduced 30-minute video capabilities.
Streaming Platforms Tighten Requirements:
Apple Music began requesting detailed credits, including writer, producer, and engineer information, with each upload.
Industry Shifts
Sam Ash Music Closes:
The family-owned retail chain shut its doors following the CEO’s passing.
Fender’s Guitar Study:
Fender revealed that 90% of new guitar players quit within three months, correlating with plummeting guitar sales.
Immersive Audio’s Limited Appeal:
Despite the hype, 70% of studios reported zero inquiries for immersive audio projects like ATMOS mixes.
AI and Legal Protections:
Tennessee passed the ELVIS Act, protecting artists’ voices and likenesses from unauthorized AI use.
Predictions for 2025
Social Media and Streaming
TikTok is expected to be banned in the U.S., continuing a global trend.
A “social media revolt” looms as users demand surprise and authenticity over algorithmic curation.
Streaming platforms may delete even more tracks, following Deezer’s lead.
Netflix is rumored to be entering the music streaming space.
Artists and AI
Indie artists will likely dominate mainstream platforms as major labels scale back artist development.
A backlash against AI music is anticipated, as consumers begin to identify and reject it.
Industry Trends
Guitar Center may face renewed financial struggles due to lagging sales.
Private equity investments in record labels could shrink artist support and shift focus to catalog exploitation.
Financial technology (fintech) innovations, like microloans for artists, could help musicians stay afloat.
Radio may enjoy a renaissance, reclaiming its place in the music ecosystem.
Final Thoughts The music industry’s landscape is as dynamic as ever. While 2024 brought slower tempos, declining streaming success for most artists, and increased challenges for legacy platforms like TikTok, 2025 promises new opportunities (and new hurdles). From the rise of indie artists to the impact of financial technology and social media revolutions, this year will undoubtedly reshape the industry yet again.
For full recording industry podcasts, visit Bobby Owsinski’s website: Bobby Owsinski Home.
*From Chat GPT when asked, “What’s Rhyme Density?” Rhyme density refers to the frequency and complexity of rhymes in a song’s lyrics. It measures how often rhyming words or phrases occur within a given section of a song, such as a verse or chorus. High rhyme density typically means that rhymes are tightly packed, appearing in quick succession, and often include internal rhymes (within lines) and end rhymes (at the end of lines).
For example:
Low rhyme density: “I went to the store / Then I walked out the door.”
High rhyme density: “I went to the store, adored the decor, / Grabbed an apple core, and then walked out the door.”
Songs with higher rhyme density often feel more engaging and memorable, as they create a rhythmic and lyrical flow that listeners enjoy. In the context of Bobby Owsinski’s observations, rhyme density is linked to commercial success, as it adds appeal and catchiness to songs, making them resonate better with audiences.
CONGRATULATIONSto the following SongU writers for having their songs signed or pitched for the following leads between 10/6/2024 and 12/5/2024.
Pitch For Publisher. Country. Jess Kellie Adams.A Street Pitch guest and music publisher who has already generated income for SongU members is listening to songs for Starstruck artist Jess Kellie Adams. About: Jess Kellie Adams is an emerging Nashville country artist with …
• Robbi Atkins (robbi atkins) “THE MANIACAL RIDE” (Date picked up: 10/22/2024) • James Deborde (James DeBorde, Jeff Scott Carson) “IT AIN’T CHEATIN'” (Date picked up: 10/22/2024) • James Deborde (James DeBorde) “WHERE WAS GOD” (Date picked up: 10/22/2024) • Tyler Porter (Tyler Porter) “FIX YOU” (Date picked up: 10/22/2024) • Tina Rivera (Tina Rivera) “I JUST DON’T DO MARRIED “ (Date picked up: 10/22/2024) • Mary Zalla (Mary Zalla) “GRIT” (Date picked up: 10/22/2024)
Pitch For Song Plugger. Contemporary Country. Noah Hicks. A Street Pitch guest and song plugger who has generated income for SongU members is looking for songs for Big Machine artist Noah Hicks. Seeking Contemporary Country songs featuring COOL and FRESH lyrics about being young and caught …
Pitch For Song Plugger. Country. Jordan Oaks.A Street Pitch guest and song plugger who has generated income for SongU members is looking for songs for indie artist Jordan Oaks. Seeking Country songs in the smooth style of George Strait hits with heart-warming lyrics. Avoid …
• Carol Hashe rainone (Carol Hashe Rainone/Shirley Geier) “SOMEONE WHO WILL” (Date picked up: 10/14/2024)
Pitch For Publisher. Contemporary Country. Maddye Trew.EXTENDED! A Street Pitch guest and music publisher who has already generated income for SongU members is listening to songs for former Hollywood American Idol contestant and rising Country artist Maddye Trew. I’m continuing to meet …
• Ricky Amburgey (Brent Baxter/Carey Latham/ Rick Amburgey) “SOUNDS LIKE A SONG” (Date picked up: 11/8/2024) • Ricky Amburgey (Marti Jane Dodson/Rick Amburgey/Sandra DeVault) “HEARTACHE HEALIN'” (Date picked up: 11/8/2024) • Carol Coffey (Carol Coffey) “BETTER JUDGEMENT” (Date picked up: 11/8/2024) • Shawn Fitzgerald (Shawn Fitzgerald) “STARDUST AND STEEL” (Date picked up: 11/21/2024) • Carin Fradin (Carin Fradin) “CRUSH ON MY HOMETOWN” (Date picked up: 11/8/2024) • Pat Kelley (Pat Kelley) “YOU MAKE IT RAIN LOVE” (Date picked up: 11/8/2024) • Pat Kelley (Pat Kelley) “IT MIGHT GET LOUD” (Date picked up: 11/19/2024) • Pat Kelley (Pat Kelley) “I KILL MY OWN SPIDERS” (Date picked up: 11/8/2024) • Amanda Kent (Amanda Kent) “GOOD” (Date picked up: 11/8/2024) • Amanda Kent (Amanda Kent) “HONKY TONK HEART” (Date picked up: 11/8/2024) • Kevin Kilberry (Kevin Kilberry and Rita Kilberry) “CIGARETTES AND REGRETS” (Date picked up: 11/8/2024) • Cassie Leuffen (Cassie Leuffen, Kelly McKay, David Trull) “WANT ME” (Date picked up: 11/8/2024) • Avrim Topel (Avrim Max Topel, Karen Kiley, Riley Roth) “TOMORROW TONIGHT” (Date picked up: 11/8/2024) • Avrim Topel (Avrim Max Topel, Robert Benarz) “BREAKING BROKEN HEARTS” (Date picked up: 11/8/2024) • Rita Weyls (rita weyls) “BUSTED” (Date picked up: 11/8/2024) • Rita Weyls (Weyls, Niederhelman, DeMarco) “ENOUGH” (Date picked up: 11/8/2024) • Rita Weyls (Weyls/Hydro/Moroziuk) “UH UH” (Date picked up: 11/8/2024) • Rita Weyls (rita weyls) “BREATHLESS” (Date picked up: 11/8/2024) • Rita Weyls (Xxxx) “STRONG MEDICINE “ (Date picked up: 10/9/2024)
Pitch For Publisher. Country. Meghan Patrick. A Street Pitch guest and publisher who has already generated income for SongU.com members is seeking songs for Riser House artist Meghan Patrick. Seeking Up-tempo but no tough girl songs. Female vocal demos only. Before pitching, …
• Shawn Fitzgerald (Shawn Fitzgerald) “GREAT TIMES OF SUMMER2” (Date picked up: 10/9/2024) • Mary Zalla (Mary Zalla) “HAYFIELDS AND HIGH HEELS – FEMALE VERSION” (Date picked up: 10/9/2024)
Pitch For Publisher. Country. Dustin Sanchez. A Street Pitch guest and publisher who has already generated income for SongU.com members is seeking songs for independent artist Dustin Sanchez. Seeking Texas Music and Tex Mex ala George Strait. Also, drug and alcohol addiction …
• Adam Byrd (Adam Byrd) “LEFT OVER WHISKEY” (Date picked up: 10/13/2024) • Adam Byrd (Tom Flocco/Adam Byrd) “GET A BEER” (Date picked up: 10/13/2024) • Krystal Kuehn (Krystal L Kuehn) “THE SERENITY PRAYER FINAL KK” (Date picked up: 10/13/2024)
Pitch For Publisher. Country, Rock. Sam Grow.Street Pitch guest and publisher Bob D., who has already generated income for SongU.com members, is looking for songs for Average Joe Records artist Sam Grow. Seeking great songs. Likes storytelling lyrics. He’s more of a rocker. Submit …
• Tyler Porter (Tyler Porter) “THAT’S WHAT A BUDDY DOES” (Date picked up: 10/22/2024)
Pitch For Licensing Agent. Americana, Folk, Indie. For Auto Brand Ad. A Street Pitch guest is seeking songs for sync licensing. Please read the entire description before submitting, and pitch appropriately.
Brief: Think people on road trips with family or …
• Robbi Atkins (robbi atkins) “A GOOD DAY FOR A DRIVE” (Date picked up: 10/25/2024)
Pitch For Song Plugger. Contemporary Country. Payton Smith. A Street Pitch guest and song plugger who has generated income for SongU members is looking for songs for Combustion Masters artist Payton Smith. Seeking high energy and dreamy, contemplative Contemporary Country songs for his …
Pitch For Publisher. Pop. Contemporary Pop Artists (various)Quick Deadline. Looking for hit Pop songs for a major label with established and new artists. Seeking Contemporary pop along the lines of Billie Eilish, Dua Lipa, Sabrina Carpenter, The Weekend, etc. …
• Cassie Leuffen (Cassie Leuffen) “JUST LIKE MAGIC” (Date picked up: 10/13/2024) • Elena Lockleis (Elena C. Lockleis) “THUNDERS OF YOUR LIFE” (Date picked up: 10/13/2024)
Pitch For Publisher. Contemporary Country. Cody Johnson.Veteran music publisher with multiple current cuts on major artists is seeking songs for Warner Music Nashville recording artist Cody Johnson. Before pitching, please read the entire description (a few times;-). This is a competitive …
• Adam Byrd (Adam Byrd) “LEFT OVER WHISKEY” (Date picked up: 10/31/2024) • Adam Byrd (John Cirillo/Chip Martin/Adam Byrd) “A BAR IN HEAVEN” (Date picked up: 10/31/2024) • Bob Clay ((Bob Clay – Tom Adamson)) “THE PAINT’S ALREADY DRY” (Date picked up: 10/23/2024) • David Johnson (David Johnson) “SHE’S MY COWGIRL” (Date picked up: 10/9/2024) • Brad Yunek (Brad Yunek) “A FARMER’S WIFE” (Date picked up: 10/31/2024)
Pitch For Licensing Agent. Fun Contemporary Girl Pop For New TV Series. A Street Pitch guest is seeking songs for sync licensing. Please read the entire brief before submitting it, and pitch it appropriately.
Pitch For Publisher. Christian Contemporary (CCM), Christian Praise/Worship. Various Contemporary Christian Artists. Extended! A Street Pitch guest and music publisher who has already generated income for SongU members is listening for MID and UP-TEMPO, high-spirited Contemporary Christian and Praise & Worship style …
• Paul Jarvis (Paul Jarvis) “I REMEMBER NOW “ (Date picked up: 10/24/2024) • Kerry Jeter (Kerry Jeter, Delbert Cagle) “I LOOK UP” (Date picked up: 10/24/2024) • Abigail Marmion (Abigail Marmion, Edward Gaus, Jr.) “THE KINGDOM TRAIN” (Date picked up: 11/6/2024) • Steve Peters (Brandon Chase/Steve Peters) “ALL I HAVE” (Date picked up: 10/24/2024)
Pitch For Publisher. Country. Jason Aldean.A Street Pitch guest and publisher who has already generated income for SongU.com members is seeking songs for BBR Music Group artist Jason Aldean. Looking for songs in the same direction as previous hits. Great songs. Any Tempo. …
• Marvin Adcock (Marvin Adcock) “MY BEST IS YET TO BE” (Date picked up: 11/26/2024) • Ricky Amburgey (Jamie Floyd/Rick Amburgey) “GIRL DAD” (Date picked up: 11/26/2024) • Thomas White (Thomas White / Robert Abernathy) “SHOOT MY TRUCK” (Date picked up: 11/26/2024)
Pitch For Publisher. Contemporary Country. Travis Cormier. Extended! A Street Pitch guest and publisher who has already generated income for SongU.com members is seeking songs for independent Canadian Country artist Travis Cormier. This is a different guest than Pitch #2323 earlier this …
• Robbi Atkins (robbi atkins) “THE ROOTS (V.2)” (Date picked up: 11/26/2024) • Bob Clay ((Bob Clay – Tom Adamson)) “THE PAINT’S ALREADY DRY” (Date picked up: 11/26/2024) • Stephen adrian Lawrance (Stephen Adrian Lawrance, Dan Harrison, Chad Seller) “DRINK AROUND THE WORLD” (Date picked up: 11/30/2024)
Pitch For Publisher. Country. Scotty Hasting.Extended! A Street Pitch guest and publisher who has already generated income for SongU.com members is seeking songs for Black River artist Scotty Hasting. This is a different guest than Pitch #2251 Scotty Hasting earlier this …
• Stephen Adrian Lawrance (Stephen Adrian Lawrance, Dan Harrison, Chad Sellers, Brian Palay) “BLUE COLLAR BEAUTIFUL” (Date picked up: 11/30/2024) • Mary Zalla (Mary Zalla, Parker Francis, Mason Douglas) “MY COUNTRY PEOPLE” (Date picked up: 11/26/2024)
Pitch For Licensing Agent. Pop, Singer Songwriter, Indie. Major Movie Montage Music.A Street Pitch guest is seeking songs for sync licensing. Please read the entire brief before submitting it, and pitch it appropriately.
Seeking: Organic/acoustic song that builds in intensity for …
• Mark Newman (Mark Newman & John Kerfoot) “NOT GETTING OVER (C) 2024” (Date picked up: 12/3/2024)
Pitch For Licensing Agent. Dance, HipHop, Pop. Major Movie Montage Music. A Street Pitch guest is seeking songs for sync licensing. Please read the entire brief before submitting it, and pitch it appropriately.
Seeking: Primarily upbeat pop songs with some sass, attitude …
• Mark Newman (Mark Newman & John Kerfoot) “NOT GETTING OVER (C) 2024” (Date picked up: 11/14/2024)
Pitch For Song Plugger. Country, Holiday Themed. Jon Pardi – Christmas Songs. A Street Pitch guest and song plugger who has generated income for SongU members is looking for songs for UMG artist Jon Pardi. Not ANY Christmas Songs. Please read the KIND of Christmas songs he wants before pitching! …
Pitch For Song Plugger. Traditional Country. Belle Frantz. Extended! A Street Pitch guest and song plugger who has generated income for SongU members is looking for songs for UMG artist Belle Frantz. What to submit: Seeking “Classic Country” songs, think songs that Tammy Wynette …
• Carol Hashe rainone (Carol Hashe Rainone/Marty Rainone) “I KNOW TOO MUCH – FEMALE DEMO” (Date picked up: 11/21/2024) • Douglas Stanglin “CAN’T WE TRY? (FEMALE VOCAL)” (Date picked up: 11/19/2024)
Pitch For Publisher. Country, Pop. Dolly Parton. RE-OPENED! A Street Pitch guest and music publisher who has already generated income for SongU members is listening to songs for Dolly Parton. Note from the Pitch Guest: “In January of this year, I posted a Street Pitch opportunity …
• James Deborde (James DeBorde) “WHERE WAS GOD” (Date picked up: 11/1/2024)
Pitch For Publisher. Country. Mae Estes. A Street Pitch guest and publisher who has already generated income for SongU.com members is seeking songs for Big Machine Records artist Mae Estes. What to Submit:Mae is a songwriter, which makes this pitch even more competitive, …
• Ricky Amburgey (Rebecca Lynn Howard/Rick Amburgey/Fred DiBlasio) “SURE GOES WELL WITH WINE” (Date picked up: 11/30/2024) • James Deborde (James DeBorde, Jeff Scott Carson) “IT AIN’T CHEATIN'” (Date picked up: 11/30/2024) • Mark Lainchbury (Marti Jane Dodson / Jennifer Jardine / Mark Lainch) “IN A HEARTBEAT” (Date picked up: 11/30/2024)
Pitch For Publisher. Country. Steve Champion. A Street Pitch guest and publisher who has already generated income for SongU.com members is seeking songs for Average Joe Records artist Steve Champion. What to Submit: Looking for HIT RADIO singles. Any tempo. He writes, …
Pitch For Publisher. Country, Southern Rock, Holiday Themed. Mathew Ewing.A Street Pitch guest and publisher who has already generated income for SongU.com members is seeking songs for indie artist with Nashville producer Mathew Ewing. What to Submit: Seeking Country and southern rock, uptempo …
• Mark Lainchbury (George Edward Brown / Brian Davis / Mark Lainchbur) “BEST LIFE” (Date picked up: 11/30/2024) • John Smith (JohnSongsmith) “CHRISTMAS ( HEAVEN TONIGHT )” (Date picked up: 11/30/2024) • Rita Weyls (Weyls, Lama, Simonson) “STRONG MEDICINE MALE “ (Date picked up: 11/30/2024) • Mary Zalla (Mary Zalla) “CLOSER THIS CHRISTMAS” (Date picked up: 11/30/2024)
Pitch For Publisher. Country, Rock. The Ross Holler BandStill Looking, extended. Indie Oregon-based Country Rock trio. Seeking Country to Rock songs that sound like Tom Petty & The Heartbreakers, Creedence Clearwater Revival, Lynyrd Skynyrd or early 2000s or 90s country …
• Shawn Fitzgerald (Mark Smith & Shawn Fitzgerald) “SWEET TASTE OF GIRLS KISS” (Date picked up: 11/27/2024) • Mark Lainchbury (George Edward Brown / Brian Davis / Mark Lainchbur) “BEST LIFE” (Date picked up: 11/30/2024)
Pitch For Publisher. Country. Spencer Hatcher. Quick Deadline. Veteran music publisher with multiple current cuts on major artists is seeking songs for a new artist on Quartz Hill Records, Spencer Hatcher. Before pitching, please read the entire description and pitch appropriately. …
• Adam Byrd (John Cirillo/Chip Martin/Adam Byrd) “A BAR IN HEAVEN” (Date picked up: 12/4/2024)
And a round of congrats to those marked ‘Maybe,’ too. Keep up the great work, everyone!
About Pitching at SongU.com: On the SongU virtual campus, success is achieved through our focus on education, and making each song the strongest it can be BEFORE spending money on a demo. We offer numerous opportunities for songwriters to reach their goals, from one-on-one coaching to live feedback sessions, to peer and mentor co-writes.
Certain people in your life make a remarkable difference; for my husband Danny Arena and me, one of them was Hall of Fame songwriter Billy Edd Wheeler. Billy Edd was a surprising mentor for two 20-somethings from NJ with Master’s degrees who had the strangest idea to be Country songwriters.
The year was 1989. Billy Edd launched an innovative and unchartered week-long adult summer camp called “Song Chase” for emerging songwriters at Warren Wilson College in Swannanoa, NC, in the Black Mountains outside Asheville. Danny, a first-year college computer teacher and songwriter, applied to the program. Not only was he accepted, but he won a coveted ASCAP scholarship to attend based on the three songs he submitted.
I’ll always remember the day Billy Edd called Danny to give him the good news about his scholarship. Danny was beside himself. To me, a suburban Jersey girl, hearing Danny talk about a grown man called “Billy Edd” was bizarre. But Danny knew him as the man who wrote “Jackson” for Johnny and June Cash and “Coward of the County” for Kenny Rogers.
That summer at Song Chase was a transformative experience for Danny. He met several Nashville-based hit songwriters and music publishers who were on the faculty and talented emerging songwriters who all became fast friends (many life-long) during this unique bonding experience. In the meantime, I started studying lyric writing at the Songwriter’s Guild in NYC, taught by Sheila Davis, the author of the ground-breaking book “The Craft of Lyric Writing.” Danny and I started co-writing — his music, my lyrics. The first song we wrote together was the first dance at our wedding.
The following summer, fresh off our honeymoon with several new co-written songs, Danny and I arrived at Song Chase. Danny had been promoted to faculty to teach music theory specifically for songwriters. You see, Billy Edd had an amazing instinct about people. He imagined Danny’s destiny as a great teacher and songwriter even before we did.
Before I met Billy Edd Wheeler, the only thing that fit my image of him was his smooth Southern drawl. As it turned out, he was not only a hit songwriter but also a singer, poet, humorist (“Ode to the Little Brown Shack Out Back”), musical theater creator, and producer. He was also an artist, a fine art collector, an avid reader, an educator, and a mentor.
The following summer, 1991, Billy Edd let us crash at his “pied-de-terre” in Nashville for a couple of weeks while he wasn’t there. We’d traveled to Nashville because Danny had been invited by then Executive Director of the Nashville Songwriters Association International (NSAI) Pat Rogers to make the keynote speech at the NSAI Songwriter’s Symposium alongside the renowned writer Hugh Prestwood (“The Song Remembers When”). Based on Lisa Palas’ recommendation, Pat had seen Danny’s music lecture while visiting Song Chase. Pat wanted to start songwriting camps for NSAI and pegged Danny to be part of the development team alongside Hugh Prestwood, Jon Ims, Angela Kaset, James Dean Hicks, and Rick Beresford.
During my first summer (and Danny’s second) at Song Chase, we fortuitously became acquainted with Billy Edd’s best friend, the renowned guitar-picker and music producer Chet Atkins, who came up from Nashville to check out what Billy Edd was up to with this songwriter’s retreat. Chet sat in on Danny’s music lecture and took notes. Afterward, he approached Danny, shook his hand, and said, “Thank you. I learned quite a few things.” Our takeaway: Even the most accomplished in their field know that there’s always something more to learn. Later that week, Chet even asked for a copy of one of our songs, “Arlington,” for his personal collection because it reminded him of his dad. We were on cloud nine.
Lisa Palas, Danny Arena, Billy Edd Wheeler, Sara Light
While in Nashville, Danny borrowed one of Billy Edd’s suit jackets from his closet to wear to an interview for a college teaching job in Gallatin, TN, which he was offered. Then Pat Rogers hired me as the new Membership Director at NSAI. We were set. We packed up our NJ apartment, turned around, and moved to Nashville. The rest, as they say, is history.
Billy Edd offered us encouragement, friendship, and connections for no reason but kindness. He was a role model to Danny and me for giving back and helping others the way he helped us, paving the way for a 31-year career (so far) in the music industry.
I like to imagine that Billy Edd and Chet are pickin’ and grinnin’ together beyond the pearly gates. Maybe Hugh and Kris are joining them for the best writer’s round I can think of 🙂
Billy Edd signed a poster for me at the Country Music Hall of Fame, where he was being honored.
CONGRATULATIONSto the following SongU writers for having their songs signed or pitched for the following leads between 8/16/2024 and10/5/2024.
Pitch For Publisher. Film/TV/Media.Updated 10/6/2023: Music Publisher who will be acting in the capacity of publishing administrator only. Seeking Broadcast Quality original songs and tracks. Descriptions: a) Clean, positive, happy, fun, lighthearted, uplifting family-oriented …
• Marvin Adcock (Marvin Adcock) “CLOSER THAN THEY APPEAR” (Date picked up: 8/30/2024) • Marvin Adcock (Marvin Adcock / John Bizzack) “DO WHAT YOU GOTTA DO” (Date picked up: 8/30/2024) • Kevin Kilberry (Kevin Kilberry) “INTO THE BIG BLUE SKY” (Date picked up: 8/30/2024)
Pitch For Licensing Agent. Holiday Themed.Christmas and Holiday Songs for Sync. EXTENDED! Keep them coming! A Street Pitch guest is seeking songs for sync licensing. Please read the entire brief before submitting and pitch appropriately. Yes, it’s time to break out the jingle bells and …
Pitch For Publisher. Blues, Jazz.Cole van dais. Street Pitch guest and publisher, Bob D., who has already generated income for SongU.com members is looking for songs for South African artist Cole van dais (pronounced Col-ay). This is an independent female singer and entertainer …
• Kevin Kilberry (Kevin Kilberry) “HOLD ME DOWN – R&B” (Date picked up: 8/20/2024)
Pitch For Publisher. Country.Travis Cormier. Extended! A Street Pitch guest and music publisher who has already generated income for SongU members is listening to songs for Lucky Recording artist Travis Cormier. Seeking any tempo for this phenomenal Canadian vocalist and …
• Ronald Hill (Danny Orton / Tim Pistone / HappyRon Hill) “LOVE YOU BETTER (SUNG BY DANNY ORTON)” (Date picked up: 9/6/2024) • Mark Lainchbury (George Edward Brown / Brian Davis / Mark Lainchbur) “BEST LIFE” (Date picked up: 9/6/2024) • Mark Lainchbury (Victoria Banks / Mark Lainchbury / Roberta Smithli) “BEAUTIFUL IN PERSON” (Date picked up: 9/6/2024) • Cassie Leuffen (Leuffen/McCord/Vail) “PAIR-A’-DICE” (Date picked up: 9/6/2024) • Cassie Leuffen (Cassie Leuffen) “TAKE IT BACK” (Date picked up: 9/6/2024) • Kenneth Riggins (Kenneth Riggins) “RIGHT WHERE U WANT ME” (Date picked up: 9/3/2024) • Kenneth Riggins (Ken Riggins) “LOVE DOESN’T WAIT” (Date picked up: 9/6/2024)
Pitch For Publisher. Country.Emily Ann Roberts. STILL LOOKING! See extra info below (8/23/24)! A Street Pitch guest and music publisher who has already generated income for SongU members is listening to songs for Starstruck artist Emily Ann Roberts.Seeking: Traditional …
• Ricky Amburgey (Brent Baxter/Carey Latham/ Rick Amburgey) “SOUNDS LIKE A SONG” (Date picked up: 8/19/2024) • James Deborde (James DeBorde) “MOST BOYS” (Date picked up: 9/24/2024) • Ronald Hill (Rebecca Lynn Howard, HappyRon and Paul d’Amore) “WE ALL WANT THE MICROPHONE (SUNG BY REBECCA LYNN HOWARD)” (Date picked up: 8/22/2024) • Amanda Kent (Amanda Kent (McCarthy)) “IF THIS CHEVY HAD WINGS” (Date picked up: 8/19/2024) • Sarah Motes ashley (Sarah Motes Ashley) “MY SOUTHERN BELL” (Date picked up: 8/19/2024) • Avrim Topel (Avrim Topel, Victoria Banks, Patrick Dodge) “MY FIRST BROKEN HEART” (Date picked up: 8/22/2024) • Mitch Townley (Mitch Townley/Helene Cronin) “GIRL IN A SUMMER SONG” (Date picked up: 8/19/2024) • Rita Weyls (Xxxx) “STRONG MEDICINE “ (Date picked up: 9/24/2024)
Pitch For Publisher. Contemporary Country.Richard Schroder. A Street Pitch guest and publisher who has already generated income for SongU.com members is seeking songs for Amplifier Records Nashville artist Richard Schroder. Seeking modern radio-friendly UPTEMPO love songs and uptempo …
• Shawn Fitzgerald (Mark Smith & Shawn Fitzgerald) “SWEET TASTE OF GIRLS KISS” (Date picked up: 8/30/2024) • Paul Jarvis (Paul Jarvis) “HELLO SUMMERTIME” (Date picked up: 8/20/2024)
Pitch For Licensing Agent. .Commercial Brand Themes. A Street Pitch guest is seeking songs for sync licensing. Please read the entire brief before submitting and pitch appropriately. Brief: We have a current ad campaign, AND we always need songs about being “an …
Pitch For Licensing Agent. Dance, Electronic, HipHop, Pop.Retail Store: Fresh New Look A Street Pitch guest is seeking songs for sync licensing. Please read the entire brief before submitting and pitch appropriately. Brief: We’re seeking big and bold songs that make that awesome first impression. …
• David Will (David Will) “WHY SHOULD I? (REMIX)” (Date picked up: 9/17/2024)
Pitch For Publisher. Country, Rock.Michael Travis. Quick Deadline. Seeking high-quality country and country/rock songs for this indie artist from Nashville. To get check out his sound listen to samples on his EP “The Old Stuff” at https://music.apple.com/us/album/the-old-stuff-ep/1521725310 …
Pitch For Publisher. Country.Jess Kellie Adams. A Street Pitch guest and music publisher who has already generated income for SongU members is listening to songs for Starstruck artist Jess Kellie Adams. About: Jess Kellie Adams is an emerging Nashville country artist with …
• Jerry Blackburn (Jerry Blackburn, Ron Stevens) “LOOSE CHANGE” (Date picked up: 9/13/2024) • Melyssa Corrigan (Melyssa Corrigan, Aron Rosing) “THE WAY YOU’D WANT ME TO” (Date picked up: 9/13/2024) • James Deborde (Leslie Miller, Alayna Carroll, James DeBorde) “PACKS A PISTOL” (Date picked up: 9/2/2024) • James Deborde (James DeBorde) “MOST BOYS” (Date picked up: 9/2/2024) • Carin Fradin (Fran Litterski, Carin Fradin, Chris Rizzo) “SALT” (Date picked up: 9/13/2024) • Cassie Leuffen (Cassie Leuffen) “TO BE HONEST” (Date picked up: 9/13/2024) • Thomas White (Thomas White) “COWBOY AND A BLUEBIRD” (Date picked up: 9/13/2024)
Pitch For Publisher. Dance, Pop, Rock.Covers Band. This is a UK-based function/covers band. They’re seeking original songs to record on an EP or Album to sell at their gigs and other venues. The members are all top musicians and vocalists (male and female). Seeking UPTEMPO rock, pop, …
Pitch For Publisher. Country.Male/Female Duo. Record Label To Be Announced. A Street Pitch guest and music publisher who has already generated income for SongU members is listening to songs needed as soon as possible (ASAP) for a new Male/Female Duo. About:I got a call …
• Robbi Atkins (Robbi Atkins) “THE HURRICANE” (Date picked up: 9/17/2024) • Robbi Atkins (robbi atkins/justin morgan) “I LOVE US” (Date picked up: 9/17/2024) • Rebecca Bessinger (Becca Bessinger) “THE KIND OF THING THAT GETS PASSED DOWN” (Date picked up: 8/26/2024) • Melyssa Corrigan (Melyssa Corrigan, Aron Rosing) “THE WAY YOU’D WANT ME TO” (Date picked up: 8/28/2024) • Shawn Fitzgerald (Shawn Fitzgerald) “MAYBE” (Date picked up: 9/17/2024) • Amanda Kent (Amanda Kent (McCarthy)) “HIGHWAY 65” (Date picked up: 8/28/2024) • Stephen adrian Lawrance (Stephen Adrian Lawrance, Loreli Els) “ON SATURDAY” (Date picked up: 9/6/2024) • Cassie Leuffen (Cassie Leuffen, Kelly McKay, David Trull) “WANT ME” (Date picked up: 8/28/2024) • Brad Mckinney (Lauren Spring, John Frank) “SINGLE OF THE YEAR” (Date picked up: 8/28/2024) • Tyler Porter (Tyler Porter) “FIRST GIRL” (Date picked up: 9/17/2024)
Pitch For Song Plugger. Contemporary Country.Orlando Mendez. A Street Pitch guest and song plugger who has generated income for SongU members is looking for songs for The Voice, Season 22 artist, known as “The Cuban Cowboy,” Orlando Mendez. Seeking playful contemporary country songs. Listen …
• Tyler Porter (Tyler Porter) “THINGS I SHOULDN’T BE DOING” (Date picked up: 9/26/2024)
Pitch For Song Plugger. Country.Michael Warren. A Street Pitch guest and song plugger who has generated income for SongU members is looking for songs for indie artist Michael Warren. Seeking Country songs that celebrate Southern culture. His influences include Willie Nelson …
• Tyler Porter (Tyler Porter) “THINGS I SHOULDN’T BE DOING” (Date picked up: 9/26/2024)
Pitch For Publisher. Country, Pop, Rock.Dave Caley. UPDATE 8/18! Changed direction. A Street Pitch guest and publisher who has already generated income for SongU.com members is seeking songs for indie artist Dave Caley. This is a mature performing artist that I’ve worked with for …
Pitch For Publisher. Country.Reba McEntire. Veteran music publisher with multiple current cuts on major artists is seeking songs for UMG recording artist Reba! The bar is very high. Submit only your best for this listing. I received the following information from the label. …
Pitch For Song Plugger. Contemporary Country.Presley Tenant. Extended! A Street Pitch guest and song plugger who has generated income for SongU members is looking for songs for indie artist Presley Tenant. Seeking Contemporary Country songs with depth and edgy lyrics. The lyrics should …
• Brad Mckinney (Lauren Spring, John Frank) “SINGLE OF THE YEAR” (Date picked up: 10/2/2024)
Pitch For Song Plugger. Contemporary Country.Noah Hicks. A Street Pitch guest and song plugger who has generated income for SongU members is looking for songs for Big Machine artist Noah Hicks. Seeking Contemporary Country songs featuring COOL and FRESH lyrics about being young and caught …
• Tyler Porter (Tyler Porter) “THINGS I SHOULDN’T BE DOING” (Date picked up: 9/16/2024)
Pitch For Publisher. Contemporary Country.Maddye Trew. EXTENDED! READ IMPORTANT PITCH UPDATES FROM 10/3. READ A Street Pitch guest and music publisher who has already generated income for SongU members is listening to songs for former Hollywood American Idol contestant and rising Country …
• Marvin Adcock (Marvin Adcock) “1-800-GOODBYE” (Date picked up: 9/27/2024) • Marvin Adcock (Marvin Adcock / John Bizzack) “KISS A LOT OF FROGS” (Date picked up: 9/27/2024) • Ricky Amburgey (Rick Amburgey/Caroline Spence) “A GOOD COUNTRY SONG” (Date picked up: 10/1/2024) • Robbi Atkins (robbi atkins) “THE MANIACAL RIDE” (Date picked up: 10/1/2024) • Robbi Atkins (Robbi Atkins) “THE HURRICANE” (Date picked up: 10/1/2024) • Robbi Atkins (robbi atkins/justin morgan) “I LOVE US” (Date picked up: 10/1/2024) • Carol Coffey (Carol Coffey) “AIN’T ON THE MAP FEMALE “ (Date picked up: 10/1/2024) • James Deborde (James DeBorde) “MOST BOYS” (Date picked up: 10/1/2024) • Shawn Fitzgerald (Shawn Fitzgerald) “KNOWING IM THE REASON” (Date picked up: 10/1/2024) • Carin Fradin (Fran Litterski, Carin Fradin, Chris Rizzo) “SALT” (Date picked up: 10/1/2024) • Ronald Hill (Rebecca Lynn Howard, HappyRon Hill, Russ Still) “DROP OF SOUL (SUNG BY REBECCA LYNN HOWARD)” (Date picked up: 10/1/2024) • Amanda Kent (Amanda Kent, Curt Ryle) “BURN” (Date picked up: 10/1/2024) • Cassie Leuffen (Cassie Leuffen/Ricky Amburgey) “BOOM BOOM” (Date picked up: 10/1/2024) • Cassie Leuffen (Cassie Leuffen) “TO BE HONEST” (Date picked up: 10/1/2024) • Sarah Motes ashley (Sarah Motes Ashley) “MY SOUTHERN BELL” (Date picked up: 9/26/2024) • Steve Peters (Steve Peters/Scott Peters) “COME BACK SOON “ (Date picked up: 9/26/2024) • Tyler Porter (Tyler Porter) “FIX YOU” (Date picked up: 9/30/2024) • Tyler Porter (Tyler Porter) “FIRST GIRL” (Date picked up: 9/30/2024) • Kenneth Riggins (Tamara Avant/ Kenneth Riggins) “I’M CURIOUS/3” (Date picked up: 9/30/2024) • Jeff Roe (Jeff Roe, Ava Paige, Marla Rubenstien, David Hill) “DO THE DANG THING” (Date picked up: 10/1/2024) • Rita Weyls (xxxx) “LITTLE PIECES. DEMO” (Date picked up: 10/1/2024) • Rita Weyls (Xxxxxx) “WHAT WOULD MIRANDA DO DEMO 2” (Date picked up: 10/1/2024) • Thomas White (White Cabin Music) “MY WHISKEY YOUR TRUCK – FEMALE “ (Date picked up: 9/26/2024)
Pitch For Publisher. Country.Meghan Patrick. A Street Pitch guest and publisher who has already generated income for SongU.com members is seeking songs for Riser House artist Meghan Patrick. Seeking Up-tempo but no tough girl songs. Female vocal demos only. Before pitching, …
Pitch For Publisher. Country.Dustin Sanchez. A Street Pitch guest and publisher who has already generated income for SongU.com members is seeking songs for independent artist Dustin Sanchez. Seeking Texas Music and Tex Mex ala George Strait. Also, drug and alcohol addiction …
• Stephen adrian Lawrance (Stephen Adrian Lawrance) “TE AMO TEQUILA” (Date picked up: 9/23/2024) • Tim Schlesener (Tim Schlesener/Nash Stanley) “MY ADDICTION” (Date picked up: 9/23/2024) • Michael Taylor (Mike Taylor) “JUST ALONG FOR THE RIDE_VER1” (Date picked up: 9/23/2024)
Pitch For Publisher. Country, Rock.Sam Grow. Street Pitch guest and publisher Bob D., who has already generated income for SongU.com members, is looking for songs for Average Joe Records artist Sam Grow. Seeking great songs. Likes storytelling lyrics. He’s more of a rocker. Submit …
Pitch For Publisher. Holiday Themed.Tamoona. A Street Pitch guest and publisher who has already generated income for SongU.com members is seeking songs for SSM Nashville artist Tamoona. Her style and sound can be described as Wynonna meets Michael Buble’. Seeking Christmas songs. …
• Ricky Amburgey (Carey Latham/Jennifer Ferguson/Rick Amburgey) “ME AND A TREE” (Date picked up: 9/12/2024) • Ricki Bellos (Ricki E Bellos) “MY KIND OF GIFT” (Date picked up: 9/23/2024) • Carol Coffey (Carol Coffey) “ALL I WANT YOU TO WANT FOR CHRISTMAS” (Date picked up: 9/12/2024) • Cassie Leuffen (Cassie Leuffen) “I’VE FALLEN IN LOVE WITH CHRISTMAS” (Date picked up: 9/12/2024)
And a round of applause to those marked ‘Maybe’ too. Keep up the great work, everyone!
About Pitching at SongU.com: On the SongU virtual campus, success is achieved through our focus on education and making each song the strongest it can be BEFORE spending money on a demo. We offer numerous opportunities for songwriters to reach their goals, from one-on-one coaching to live feedback sessions, to peer and mentor co-writes.
What do Eminem and Celine Dion have in common? They both recorded songs written by Michael Jay, who is our guest for the “Golden Ticket Special Event Pitch,” running now through November 3rd 2024. This event offers you an exclusive opportunity to be selected by hit songwriter and producer, Michael Jay, for an exclusive one-on-one co-writing session.
Michael Jay’s songs have sold over 75 million records worldwide.
About our Guest: Michael Jay has over 30 years experience in the music business which includes a background in radio, promotion, marketing and A&R. He also has in-studio experience as a creative talent with hit credits as a songwriter, lyricist, record producer and musician. His songs have sold more than 75 million records worldwide.
He entered the music business as an A&R executive at Curtis Mayfield’s Curtom Records in Chicago. After moving to Los Angeles he was signed as a songwriter to Famous Music, the music division of Paramount Pictures, where he instantly landed a song on the multi-platinum “Top Gun” movie soundtrack.
In the 1980s, Michael Jay discovered, developed and shopped a record deal for Martika from The Disney Channel’s “Kids Incorporated” TV show. He co-wrote and produced Martika’s entire million-selling debut album including the worldwide #1 hit “Toy Soldiers.” Years later, rap superstar Eminem recorded a new version of “Toy Soldiers” and it became a hit all over again.
In the 1990s he wrote the song “Declaration Of Love” which Celine Dion recorded for her Grammy Award-winning Album Of The Year “Falling Into You”.
In 2023, Michael Jay won the Hollywood Music In Media Award (HMMA) for Best Original Song In An Independent Film with his song “I Got You” from the movie “Holiday Twist.”
He’s currently working in Nashville and producing a rising Country songwriter-artist who is shopping major labels.
CONGRATULATIONSto the following SongU writers for having their songs signed or pitched for the following leads between 6/16/2024 and 8/15/2024.
Pitch For Song Plugger. Country, Pop. What is a Starred Song? This is any song in your Song Locker that currently has any of the three types of Star/Award icons next to the title: ‘Best of SongU,’ ‘Gold Star,’ or ‘Rising Star.’
• Jeff Roe (Matt Rogers, Jeff Roe) “SHE’S GONNA LEAVE A MARK” (Date picked up: 7/18/2024)
Pitch For Publisher. Country. What is a Starred Song? This is any song in your Song Locker that currently has any of the three types of Star/Award icons next to the title: ‘Best of SongU,’ ‘Gold Star,’ or ‘Rising Star.’ How do I receive these Stars/Awards? You receive …
Pitch For Song Plugger. Contemporary Country. Shaquira McGrath. Extended! A Street Pitch guest and song plugger who has generated income for SongU members is looking for songs for semifinalist from “America’s Got Talent” Season 15, Shaquira McGrath. Seeking soulful, Contemporary Country …
Pitch For Sync Agent. Pop Songs for Upcoming Streaming Series. A sync agent is providing an exclusive brief curated specifically for SongU.com members. Before submitting, please read details of the entire brief and pitch appropriately:
• Mark Newman (Mark Newman/John Kerfoot) “RIGHT WAY – MASTER” (Date picked up: 6/18/2024)
Pitch For Sync Agent. Independent Film Seeks Classic Rock. A sync agent is providing an exclusive brief curated specifically for SongU.com members. Before submitting, please read details of the entire brief and pitch appropriately:
• Wayne Gamache (Wayne Gamache/Robert Porri) “SOMETIMES HEROES FAIL-INSTR” (Date picked up: 6/18/2024) • Wayne Gamache (Wayne Gamache/Tom Marak/Tony Rondini) “I’M IN LOVE AGAIN-INSTR” (Date picked up: 6/18/2024) • Sarah Motes ashley (Sarah Motes Ashley) “TURN IT UP (INSTRUMENTAL)” (Date picked up: 6/18/2024)
Pitch For Sync Agent. Americana. Americana Songs for Ad Campaign. A sync agent is providing an exclusive brief curated specifically for SongU.com members. Before submitting, please read the details of the entire brief and pitch appropriately:
Pitch For Sync Agent. Singer Songwriter. Americana Songs for Ad Campaign. A sync agent is providing an exclusive brief curated specifically for SongU.com members. Before submitting, please read the details of the entire brief and pitch appropriately:
• Jerry Glidewell (Jerry Glidewell & Chad Roland) “LOVEOLOGY” (Date picked up: 6/18/2024)
Pitch For Sync Agent. Contemporary Country. Modern Country for Regional Ad Campaign. A sync agent is providing an exclusive brief curated specifically for SongU.com members. Before submitting, please read the details of the entire brief and pitch appropriately:
• Kevin Kilberry (Kevin Kilberry and Rita Kilberry) “DRIVE – 2” (Date picked up: 6/18/2024) • Rory Scott (Rory Scott, Alyson Tracy) “NOWHERE GRAVEL ROAD” (Date picked up: 6/18/2024)
Pitch For Song Plugger. Country. The Chattahoochies. Extended! A Street Pitch guest and songplugger who has generated income for SongU members is looking for songs for Warner Chappell Indie label artist, The Chattahoochies. Seeking unapologetically sassy, playful, and rowdy …
• Heather Morris (Debra Foster/Steve Sutcliff/ Heather Morris) “SANTA’S BFA” (Date picked up: 7/17/2024) • Joanne Stacey (Joanne Stacey, Terry Fernihough) “WHEN THE HONEYMOON IS OVER” (Date picked up: 7/17/2024)
Pitch For Publisher. Country. William Beckmann. Veteran music publisher with multiple current cuts on major artists is seeking songs for Warner Brothers recording artist William Beckmann. William is a young twenty year old with a mature voice. He grew up listening to traditional …
• Greg Smith (greg p smith, sandy ramos, bronson hetzer) “WRAP YOU UP IN LOVE DMB” (Date picked up: 7/17/2024) • Mitch Townley (Mitch Townley) “NOTHINGOUT OF SOMETHING” (Date picked up: 6/27/2024)
Pitch For Publisher. Blues, Jazz.Cole van dais. Street Pitch guest and publisher, Bob D., who has already generated income for SongU.com members is looking for songs for South African artist Cole van dais (pronounced Col-ay). This is an independent female singer and entertainer …
• Ricki Bellos (Ricki E Bellos) “DIAMONDS IN YOUR EYES” (Date picked up: 6/22/2024)
Pitch For Song Plugger. Country. Braxton Keith. A Street Pitch guest and song plugger who has generated income for SongU members is looking for songs for Warner Music Nashville artist Braxton Keith. Seeking traditional country UPTEMPO songs. Consider songs about rockin’ at …
Pitch For Publisher. Country. Travis Cormier. Extended! A Street Pitch guest and music publisher who has already generated income for SongU members is listening to songs for Lucky Recording artist Travis Cormier. Seeking any tempo for this phenomenal Canadian vocalist and …
• Marvin Adcock (Marvin Adcock) “MY BEST IS YET TO BE” (Date picked up: 7/2/2024) • Carin Fradin (Colin Black, Carin Fradin, Sofia Kouninis) “GIVEN” (Date picked up: 7/17/2024) • Kenneth Riggins (Kenneth Riggins) ” U/V3″ (Date picked up: 7/17/2024) • Andrew Trotter (Andrew Trotter) “GOODBYE BURNED AS SMOOTH AS WHISKEY “ (Date picked up: 7/17/2024) • Rita Weyls (Ooooooo) “LET IT BE ME. DEMO” (Date picked up: 7/17/2024)
Pitch For Publisher. Country. Emily Ann Roberts. Extended! A Street Pitch guest and music publisher who has already generated income for SongU members is listening to songs for Starstruck artist Emily Ann Roberts.
• Ricky Amburgey (Carey Latham/Jennifer Ferguson/Rick Amburgey) “LOVE RULES” (Date picked up: 6/24/2024) • Cassie Leuffen (Cassie Leuffen/Ricky Amburgey) “BOOM BOOM” (Date picked up: 7/8/2024) • David Nicastro (DAVID NICASTRO) “I FALL INTO YOU” (Date picked up: 7/8/2024) • Claire Ulanoff (Claire Ulanoff, Will Hopkins) “DIG A NEW WELL” (Date picked up: 6/24/2024)
Pitch For Publisher. Bluegrass. Various Bluegrass Artists. A Street Pitch guest and veteran music publisher who has generated income for SongU members is listening for great Bluegrass songs to pitch directly to artists. Before pitching, please read the entire description and …
• Russ Pruitt (Russell W Pruitt; Kaleb Wright) “WHEN GOD CALLED OUT TO ME” (Date picked up: 7/6/2024)
Pitch For Publisher. Various Country Gospel Artists. A Street Pitch guest and veteran music publisher who has generated income for SongU members is listening for great “Country Gospel” songs to pitch directly to artists. Before pitching, please read the entire description …
• David Johnson (David Alan Johnson) “LIFE’S NOT A DEAD END ROAD” (Date picked up: 7/6/2024) • Tim Schlesener (Tim Schlesener) “HEART POINTS” (Date picked up: 7/6/2024)
Pitch For Publisher. Americana, Country, Pop. Girl Named Tom. Quick Deadline! A Street Pitch guest and music publisher who has already generated income for SongU members is listening to songs for Republic Records recording artist Girl Named Tom. I will need to hear your songs ASAP and will …
Pitch For Song Plugger. Country, Pop. Jess Moskaluke. Extended! A Street Pitch guest and songplugger who has generated income for SongU members is looking for songs for MDM Recordings, Canadian Country artist Jess Moskaluke. Seeking Pop-oriented, rangy, uptempos that show off her …
• Kevin Kilberry (Kevin Kilberry and Rita Kilberry) “THE VOICE YOU CAN’T IGNORE – NEW” (Date picked up: 7/17/2024)
Pitch For Licensing Agent. Singer Songwriter, Alternative, Indie. Moody, minimalist Indie for Cable TV Shows. A Street Pitch guest is seeking songs for sync licensing. Please read the entire brief before submitting and pitch appropriately.
Pitch For Publisher. Traditional Country. Brian Mallery. A Street Pitch guest and publisher who has already generated income for SongU.com members is seeking songs for independent Canadian country artist, Brian Mallery. Brian has received airplay across Canada and overseas. His next …
• Karen Mitchell (Corey Lee Barker, Eric Uglum and Karen R Mitchell) “LOVE AIN’T LOOKIN'” (Date picked up: 7/27/2024) • Carol Rainone (C. Hashe/M. Rainone) “I KNOW TOO MUCH” (Date picked up: 7/3/2024) • Jeff Roe (Jeff Roe, Leslie Bowe) “I COULD BE THAT GUY” (Date picked up: 8/15/2024) • Avrim Topel (Avrim Topel, Matt Rogers, CJ Stevens) “LOVE YOU LIKE THAT” (Date picked up: 7/27/2024)
Pitch For Publisher. Country. Brandon Bing. Quick Deadline. Seeking songs immediately for Dirty Bird South Muzik artist Brandon Bing, who is being produced by Kenny Royster. Pitch mid to uptempo Country party anthems. Male vocal demos only. Kenny Royster is a really good …
• Ricky Amburgey (Brent Baxter/Rick Amburgey/Buddy Lee Dobberteen/Br) “THAT SOBER AGAIN” (Date picked up: 8/5/2024) • Pat Kelley (Pat Kelley/Bucky Jones) “HOOK LINE AND TEQUILA” (Date picked up: 8/5/2024) • Cassie Leuffen (Cassie Leuffen) “YETI TO GO” (Date picked up: 8/5/2024)
Pitch For Publisher. Christian Contemporary (CCM). Nadia Yates. Quick Deadline. Seeking songs for CDX Nashville artist Nadia Yates, who is being produced by Country music artist and hit songwriter, Billy Yates. Seeking Contemporary Christian ala CeCe Winans or Naomi Raine. Female vocal demos …
• Jim Purtell (Jim Purtell and Ricki E. Bellos) “TO BELIEVE INSPIRATIONAL” (Date picked up: 8/5/2024) • Rita Weyls (Rita Weyls) “PRAY” (Date picked up: 8/5/2024)
Pitch For Publisher. Contemporary Country. Richard Schroder. A Street Pitch guest and publisher who has already generated income for SongU.com members is seeking songs for Amplifier Records Nashville artist Richard Schroder. Seeking modern radio-friendly UPTEMPO love songs and uptempo …
• Ricky Amburgey (Danny Myrick/Rick Amburgey/Donald Emero) “NEVER NOT SUMMER” (Date picked up: 7/27/2024) • Maria elaina Difalco (Marialaina DiFalco) “CLIFFHANGER” (Date picked up: 7/3/2024) • Carin Fradin (Derek James, Carin Fradin, Steve Smentek) “WEAR OUT” (Date picked up: 8/15/2024) • Mark Lainchbury (Mark Lainchbury / Roberta Smithline / Adam Wood) “OLD GOOD YEARS” (Date picked up: 8/6/2024) • Robert Otting (Robert Otting & Joel Smyers) “FIRST RIDE_ MASTERED” (Date picked up: 7/3/2024) • Jeff Roe (Jeff Roe, Leslie Bowe) “I COULD BE THAT GUY” (Date picked up: 8/15/2024) • Jeff Roe (Jeff Roe, Michael Saleta, Leslie Bowe) “DIRT RICH” (Date picked up: 8/15/2024)
Pitch For Publisher. Pop, R&B. Bridget Kelly. A Street Pitch guest and publisher who has already generated income for SongU.com members is seeking songs for Empire Records artist Bridget Kelly. Seeking top Pop/R&B songs for this 38-year-old artist who was originally signed …
• Kevin Kilberry (Kevin Kilberry and Rita Kilberry) “SHOULD I – (FEAT.,SD)” (Date picked up: 7/27/2024) • Kevin Kilberry (Kevin Kilberry) “HOLD ME DOWN – R&B” (Date picked up: 7/27/2024)
Pitch For Licensing Agent. Commercial Brand Themes. A Street Pitch guest is seeking songs for sync licensing. Please read the entire brief before submitting and pitch appropriately.
Brief: We have a current ad campaign, AND we always need songs about …
• Marvin Adcock (Marvin Adcock) “MY BEST IS YET TO BE” (Date picked up: 7/18/2024)
Pitch For Publisher. Country. Kenny Chesney. Exclusive Behind-the-Scenes (BTS) LIVE listening session for this pitch. Available as an optional add-on. Details inside after you submit your song. Limited enrollment. (BTS signup deadline date: 8/19/24). Veteran music publisher …
• Chuck Doughtie (Charles Doughtie) ” I SIT AND WATCH” (Date picked up: 8/10/2024) • Derek James “SO FAR SO BUENO” (Date picked up: 8/5/2024) • Derek James (Derek James, PJ Repetto) “MIDNIGHT MARGARITA” (Date picked up: 8/5/2024)
Pitch For Publisher. Country, Rock. Michael Travis. Quick Deadline. Seeking high-quality country and country/rock songs for this indie artist from Nashville. To get check out his sound listen to samples on his EP “The Old Stuff” at https://music.apple.com/us/album/the-old-stuff-ep/1521725310 …
• Ricky Amburgey (Rick Amburgey/Bobby Turk) “BUY MYSELF A BEER” (Date picked up: 8/6/2024) • Ronald Hill (Brian White, HappyRon, Avrin Topel) “CAN NEVER HEAR IT ENOUGH (SUNG BY MASON DOUGLAS)” (Date picked up: 8/6/2024)
Pitch For Publisher. Country. Jess Kellie Adams. A Street Pitch guest and music publisher who has already generated income for SongU members is listening to songs for Starstruck artist Jess Kellie Adams.
• Ricky Amburgey (Marti Jane Dodson/Rick Amburgey/Sandra DeVault) “HEARTACHE HEALIN'” (Date picked up: 8/14/2024) • Melyssa Corrigan (Melyssa Corrigan, Dana Pagane, Mark Burch) “CAN’T LOVE YOU FOR TOO LONG “ (Date picked up: 8/14/2024) • Seth Jackson (Seth Jackson) “IF YOU WEREN’T A MAN” (Date picked up: 8/14/2024) • Brad Mckinney (Lauren Spring, John Frank) “SINGLE OF THE YEAR” (Date picked up: 8/14/2024) • Sarah Motes ashley (Sarah Motes Ashley) “MY SOUTHERN BELL” (Date picked up: 8/14/2024) • David Nicastro (Dave Nicastro/Brent Baxter) “SHE’S GOT TO” (Date picked up: 8/6/2024)
Pitch For Publisher. Country. Male/Female Duo. Record Label To Be Announced. A Street Pitch guest and music publisher who has already generated income for SongU members is listening to songs needed as soon as possible (ASAP) for a new Male/Female Duo.
• Marvin Adcock (Marvin Adcock) “1-800-GOODBYE” (Date picked up: 8/7/2024) • Ricky Amburgey (Marti Jane Dodson/Rick Amburgey/Sandra DeVault) “HEARTACHE HEALIN'” (Date picked up: 8/7/2024) • Luke Denison (Luke Denison) “NOBODY’S YOU” (Date picked up: 8/13/2024) • Luke Denison (Luke Denison, Randy Sloan) “ONE INCH AT A TIME” (Date picked up: 8/13/2024) • Kevin Kilberry (Kevin Kilberry) “LEARNING HOW TO LOVE – DUET” (Date picked up: 8/13/2024) • Mitch Townley (Townley/Wilson) “MADE ME A BELIEVER” (Date picked up: 8/13/2024) • Rita Weyls “GOOD BEHAVIOR. DEMO” (Date picked up: 8/7/2024) • Thomas White (White Cabin Music) “MY WHISKEY YOUR TRUCK – FEMALE “ (Date picked up: 8/5/2024)
And a round of applause to those marked ‘Maybe’ too. Keep up the great work, everyone!
About Pitching at SongU.com: On the SongU virtual campus, success is achieved through our focus on education and making each song the strongest it can be BEFORE spending money on a demo. We offer numerous opportunities for songwriters to reach their goals, from one-on-one coaching to live feedback sessions, to peer and mentor co-writes.
