Notes on Napkins

musings for songwriters


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Marcia Ramirez: Inspiration On and Off the Road

Marcia Ramirez

Marcia Ramirez one of the most experienced and sought after demo-singers in Nashville. She’s one of the funniest, brightest, and thought-provoking people I know. Music is the backdrop of her life: Not only with her own singer-songwriter projects, her family’s (her husband, Mike Waldron is one of the most sought after musicians and session players in Nashville), her spiritual home’s, the artists’ she goes out on the road with, as well as all those songwriters’, whose demos she breathes life into with her lead and background vocals.

In May, my eyes were drawn to a quote by songwriter Liz Rose (Little Big Town’s Girl Crush, Taylor Swift’s White Horse) in a Forbes magazine article about songwriting. Liz Rose said, “The lifeblood of Nashville was built on songwriters and studio musicians and artists. How are we going to grow the next Derek Wells if there’s no studio and there’s no songwriters doing demos to play on?”

Of course, I emailed the quote to Marcia. Not because of what Liz was saying, although she makes a good point, but because of the mention of Derek Wells – Marcia’s son – who, in 2016, was the youngest person in history to win The Academy of Country Music’s Guitar Player of the Year award, as well as the youngest person to have been nominated for the CMA Musician of the Year award. Marcia, quite literally, “grew a Derek Wells.” (Her joke, not mine.) I’ll brag for my #proudmama friend and mention that Marcia’s youngest son, Sam, is a fine musician as well.

I’m happy to have a chance to ask her a few questions about her career for “Notes on Napkins.”

Marcia, I have to start by asking what’s helping you cope during this time of Corona?

Schitt’s Creek!  I’m obsessed.

Hah! Great answer. I love that show too. As a song feedback mentor and coach at SongU, you inspire so many writers. What inspires you? 

People brave enough to be their authentic selves – no matter what. And I mean on all levels – personally, spiritually, relationally, and especially creatively! Fight for your unique voice and perspective.

You’ve been touring as a musician and backup singer with major artists for over 20 years, most recently with pop legend Christopher Cross. What’s been the most surprising thing you learned being on the road? 

Well, I hate to burst anyone’s bubble, but it’s not nearly as glamorous most of the time as you might think! 4 AM lobby calls to fly to the next town can be brutal, or sleeping in a bunk on the bus every night that’s about the size of a coffin, or washing your hair in the dressing room sink because soundcheck ran long and you don’t have time to go back to the hotel before the show…road life can be difficult some days. And you can really get homesick too when you are gone for long periods of time. All that being said, I have LOVED my time on the road and made some truly strong friendships by traveling around the world with great groups of folks. I’ve been super blessed to have loved my road families!

Marcia Ramirez and Christopher Cross

Can you tell us the story behind the song you co-wrote called “God and My Girlfriends,” recorded by Reba McEntire on her Grammy Winning album Sing It Now: Songs of Faith & Hope?

My friends, Lisa Hentrich and Patricia Conroy, wrote that song with me one day during a writing session on Music Row several years ago. As soon as we wrote it, we just KNEW it would be perfect for Reba, so we pitched it to her as soon as we got the demo done, and she put it on “hold” right away for the album she was about to record. She ended up not recording it on that album, and we were super bummed. BUT…. almost 9 years later, she actually tracked the song down herself and recorded it for her first faith-based album. I guess she remembered the song and was at a point in her life where the words felt very real to her. She had just gone through a divorce, so she was truly relying on God and her girlfriends to get her through a difficult time. It just goes to show you that artists record songs that they really relate to.

That’s one of my favorite “songwriter stories,” Marcia. It shows that you can have a great song that the artist loves, but if it’s not exactly the right song at the right time, it may not get cut…but that doesn’t mean it’s forgotten. It’s a tribute to this song’s strength that Reba remembered it so many years later to give it the perfect home on her album.

Marcia Ramirez in Studio

You’re an in-demand demo singer in Nashville. What’s the best tip you can give songwriters about working with a professional demo singer to get the best vocal on their song?

I think being as specific as you can about how close you want them to sing the song like the worktape. Some writers tell me to just use the worktape as a reference, but “Just do your thing” — meaning, they trust me to use my own instincts with the phrasing and melody. Other writers want it EXACTLY like they have phrased it on the worktape, and they don’t want you to vary the melody one single note. That really helps me prepare for the session if I know that ahead of time so that I can make much more specific notes. ALSO, always let the vocalist pick the key ahead of time that works best for their voice. That is SUPER important.

Marcia, Thanks for taking the time out of your multi-tasking and busy day to answer my questions. I enjoy and appreciate you, as always!

Find links to hear Marcia’s music, book her for gigs, read her blog, and learn about her God and My Girlfriends ministry by visiting her website at marciaramirez.com.


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Writing About Current Events From a Different Perspective

“With history piling up so fast, almost every day is the anniversary of something awful.” – Writer & Artist, Joe Brainard

Recently, while cleaning out my closet, I happened upon a small book of Daily Meditations given to me by a friend a long time ago called The Promise of a New Day (copyright 1983). The book goes through each day of the year and offers a quote and a short spiritual reflection.  I hadn’t opened this book in well over a decade, but last week I found myself turning to the February 7th meditation which begins with the quote at the top of this page. 

At first I was surprised to read this quote from the 1980’s that felt so relevant for today’s world. But then I realized that in every decade, at every point in history change is inevitable, and with change comes discomfort, fear, anger, and as the quote says, “the anniversary of something awful.” Joe Brainard died in 1994 of AIDS. Can we take a moment of pause to reflect on how incredibly scary and sad that time in our history was until, thank goodness, we found a treatment for HIV?  Our amazing scientific and medical community created an antidote to something horrific.

Obviously, as writers and artists, we have a responsibility to reflect the trouble in the world around us as songwriters like Woodie Guthrie and Bob Dylan did in the 1960’s. But can’t we also create an antidote to the daily assault of awful news? If history is comprised of times of trouble, war, disease, hunger, and hate, isn’t it just as important to highlight the love, compassion, simple moments of trust, help, hope, and success?

As a songwriting exercise, try making a list of the little things that have kept you motivated, inspired, happy, or brought you peace of mind, during these difficult times. Kissing your loved one good night, scratching your dog’s tummy, taking a walk near a stream, sipping on a hot cup of coffee, holding open a door for a stranger and exchanging a smile. Keep a section in your “title book” or idea journal specifically for a daily dose of positivity. See if you can practice a heightened awareness for the the good things that we often take for granted like a compliment from a friend, being in the fast line at the grocery store, having enough gas in your car, birds chirping when you open your door, or a warm coat when it’s cold outside. Write it all down.  These specifics will inform your lyric with a universal theme of gratitude and  provide a different perspective on our current events. Bring this perspective into your next song.

 


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Finding Time to Write

“Who will free me from hurry, flurry, the feeling of a crowd pushing behind me, of being hustled and crushed? How can I regain even for a minute the feeling of ample leisure I had during my early, my creative years? Then I seldom felt fussed, or hurried. There was time for work, for play, for love, the confidence that if a task was not done at the appointed time, I easily could fit it into another hour. I used to take leisure for granted, as I did time itself.” 

— Bernard Berenson, Sunset and Twilight, from the Diaries of 1947-1958

I am finding that the older I get, the more difficult it is to feel unencumbered. I do not have the same sense I did in my 20’s and 30’s of having the time or energy to follow my muse, explore my own interests, or even rest my mind.  The tasks that I commit to now, even the ones I voluntarily choose, come with a sense of heaviness;  How will I fit that in to my schedule? What do I prioritize today? If I do THIS, it’ll take away from THAT.

I’m beginning 2018 pretty well. I’m back to starting most days with a yoga video and green tea BEFORE I check my schedule, answer my emails and walk my dog. I’m even on a streak with my Headspace meditation app and I’m finally able to turn off my brain at night and get some deep sleep. And, check this out, I’m writing a blog entry (an activity that I enjoy, but usually fits into the “how will I fit that into my schedule today?” category).

Some of the lessons I find that are working for me this year that I haven’t tried in the past are:

  • Doing a little bit consistently can be as satisfying as going “all in”.  This is a good one for songwriters. If you only have a couple of minutes to work on a song today, do that. Don’t wait until you have half a day to devote to writing a whole new song. If you think one new title today call that your day’s work and let yourself feel accomplished.
  • Good is good enough.  Perfection isn’t a mandatory requirement. Just get the job done the best you can in the time you have and move on. Don’t berate yourself for not doing something exactly the way you imagined.  This frees up a lot of time.
  • Deadlines are often flexible.  I have been noticing that a lot of the people around me also feel crunched for time. Because of that, they often are more than happy to move around appointments and extend deadlines. They, too, have a million other things they can fit into that slot.  Flexibility reduces stress.
  • Take a break from social media. Yikes, lately, I have been seeing so many articles about the addictive (aka drug-like) qualities of those pings and likes and notifications. It wasn’t a coincidence that on my birthday this year, as much as I thoroughly enjoyed reading all the sweet notes and well-wishes throughout the day on Facebook, I also left my notebook with my favorite recipes on a shelf in the grocery store (never to be recovered), threw my dog’s leash out with the trash and generally walked around with fog-brain as if I were hung-over.  This week, I resisted the urge to post a cute picture of my daughter hugging our dog in the unusually snowy day in Nashville. That meant that I also missed seeing all the  photos of my friends’ kids. But the payoff was additional time and FOCUS.
  • “The only way past it, is through it.”   This is my new mantra every time my procrastination instinct kicks in. I got this one from an interview by Gretchen Rubin of writer Greer Hendricks .

Wishing you all contentment and time to explore your muse in the new year!

 


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As the Waters Rise…

Watching the images this week of the devastation that Hurricane Harvey wreaked on the greater Houston, Texas area –  the stranded families being rescued from their submerged homes, the floating cars, the highways under water, the neighborhoods turned into islands – has stirred in me the powerful memories of living through the great flood of 2010 in Nashville, TN.  Besides the obvious disbelief we all felt as the rivers and streams crested and overflowed all around us, in the end the real story was how friends, neighbors and complete strangers came together to help each other in any and every way they could. Somehow, no matter what else we believed politically, religiously, or any other “-ly” didn’t matter during that time of crisis. Instead, the spirit of American volunteerism, neighborliness, and fortitude completely took over. I see this spirit rising for Houston right now and feel reassured.

(Photo May 2010, Sara and Danny assisting volunteers remove dry wall that had been damaged by flood water from the home of one of our local elementary school teachers.)

It seems like the right time to repost the heartfelt article, SongU.com co-founder and CEO, Danny Arena,  wrote that was originally published in Music Row Magazine on May 6, 2010…The names have changed but the idea remains.

Our City

I have been asked by friends, family and SongU.com members from around the world how they can help those in TN affected by the flood. I realize it’s hard to completely understand the magnitude of what happened here. I live here and I can’t comprehend it. This was a historical record rainfall for Nashville and middle TN. We had more rain than we’ve ever had since they began tracking rainfall. We topped the state’s record for rainfall in the entire month of May before sundown on May 2nd. We had about 40% of Seattle’s annual rainfall in less than 2 days. If this was snow, we would have had the equivalent of 13 feet of snow in less than 48 hours. This is not a once-in-a-while kind of flood. No, this one’s in the record books. It’s a once-every-hundred-or-two-hundred-years kind of flood.

The devastation is so widespread, it’s unbelievable. You would probably have to submerge my entire home state of NJ in water to cover as much area as this flood has covered in TN. While a few of these areas are flood prone, the majority are not and a large portion of the people affected do not have flood insurance. Just to give you a better picture of my little world, I could easily draw a one-hour radius from my house and barely scratch the surface of people affected. Across the road from our development, one of our daughter’s elementary school teachers lost everything in the flood. Just up the street at the Fieldstone Farms development, they were rescuing people in boats – one house in Fieldstone caught fire and blew up. Drive south for about 30 minutes, you would get to my friend Dale and Carol’s farm which is home to the annual Blackberry Jam Festival where Michael McDonald played a couple of years ago. Their entire first floor of their house was submerged in water. It took a group of four of us about 3 hours just to clean the mud out of one bathroom in their house.  Drive west about 40 minutes and you’ll get to Bellevue, an area I lived in when I first moved to Nashville. Entire neighborhoods are underwater. Our friend Gary and Robin’s house managed to escape with about a foot of water, but the rest of their cul-de-sac was submerged. Cars were floating upside down on the road in front of the nearby Belle Meade Kroger. Two people died when their car turned over. Two others drowned behind the Belle Meade Kroger. Head northeast about 40 minutes to Hermitage and you’d get to my friend Denise’s house. The water level is at the top of her garage — she needs a boat just to reach her house. Head north another 30-40 minutes to Goodlettsville and Hendersonville and you’ll find the houses of some of my students and faculty at the college where I teach that were destroyed due to the flood.

Somewhere in the center of all this is downtown Nashville. The Country Music Hall of Fame, the Schermerhorn Center, Broadway and Second Avenue all flooded. The Titans Stadium where my seven-year old daughter, Mia, ran the Country Kids Marathon a week ago was flooded up to the level of the first row of seats in the stadium. Other historic landmarks that are synonymous with Nashville are badly flooded and damaged, including Opryland Hotel and the Grand Ole Opry. It is going to take a lot of time and resources for Nashville and all the areas affected by this catastrophic flood to recover. Here are some ways you can help:

Donate money. You can donate to the middle TN Red Cross online at http://www.middletennredcross.org. If you’re a texter, you can text REDCROSS to 90999 on your cell and a $10 donation will be sent to the middle TN Red Cross through your cell phone provider.

Donate stuff. People lost everything. While you can’t replace possessions with sentimental value, you can give someone a shirt to wear or sneakers for their kids or towels or rags so they can clean the mud out of their bathtub. Check out the clothing drive for middle TN residents at: http://www.facebook.com/?ref=home#!/event.php?eid=113883681985618&ref=ts or the cleaning supply drive at http://www.facebook.com/?ref=home#!/event.php?eid=111188545589696

Participate in clean up crews. If you live within driving distance and have the time or skills and want to help cleanup and rebuild, go to Hands-On-Nashville at http://www.hon.org They need volunteers immediately.

Donate food. Second Harvest Food Bank of Middle TN is continuing to provide a central distribution center for companies, groups, and individuals to help provide food for Middle Tennessee’s affected families. Check it out at: http://www.secondharvestmidtn.org/

Plan to visit. Nashville is a great city that has many businesses and jobs that depend on tourism. Come see us. Plan your next family summer vacation or next year’s business conference here. Check out the Nashville Chamber of Commerce for more information at http://www.nashvillechamber.com/Homepage.aspx

Spread the word. Others may not necessarily realize how bad we were hit because of the way the media industry and news organizations work. People are going to need assistance down here for a long time in order to rebuild their lives and restore our historical landmarks like the Grand Ole Opry, Opryland Hotel, Country Music Hall of Fame and historic Second Avenue.

I love Nashville. It’s a big name city that has a small town feel. Contrary to its sequined, cowboy hat and boots image, Nashville is an incredibly diverse city where the music industry, universities, and lifestyle brings together people from all walks of life, whether they’re writing a song or watching a TN Titans or UT football game. We have one other thing in common – we love our city. If you’ve seen some of the videos and pictures that have been posted, you can probably see why we are referred to as the “Volunteer State.” When the time calls for it, we simply roll up our sleeves and get down to it because there is work to be done.

And there is much work to be done. One of my friends who works at one of the major media outlets in the New York-Metropolitan area relayed to me that Nashville hasn’t been getting a lot of national coverage because our story lacks the “hook” of some of the other currently hot issues like the oil spill and the bomb in Times Square. I get that. I’m a longtime songwriter who certainly understands the power of a “hook”. Truthfully, even if we had our “15 minutes” of full-court press media coverage, it wouldn’t begin to touch how many months or years this recovery is going to take. And it could never cover how many lives have been affected. So spread the word and pass it on. From donations to positive energy and prayers, it is all welcome and needed. This is my city and these are my friends and neighbors.


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Natural Influences in June

“There is nothing more musical than a sunset – Claude Debussy”  

Debussy asserts that musicians “read but too little from the book of Nature.” What sights, sounds, or places in nature do you find musical? Share your thoughts in the comment area.

Thanks to @liveloveFranklin for this photo of my hometown


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May the Month of May Make Your Creativity Blossom

“Let us be grateful to the people who make us happy; they are the charming gardeners who make our souls blossom.” – Marcel Proust

Each May, I watch in awe as the flowering trees, shrubs and perennials that bloom in abundance here in middle Tennessee magically transform the landscape. Spring renewal – it really does seem to make everyone and everything in life just a little more tolerable. Unfortunately, I do not have a green thumb, but I’m trying (again) to plant and nuture a flower garden in the corner of my yard. I’m finding the task to be very inspiring, sometimes a little frustrating (where’d all those Canna bulbs I planted go?) and hard -yet rewarding- work. It’s pretty much the same way I can describe songwriting as a matter of fact. 

In what ways will you let your creativity blossom this month? Do you have specific goals or are you going to let your muse guide you? Please share your thoughts in the comment area.


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Share One Positive Thought About Your Songwriting for April

“3 A.M. is the hour of writers, painters, poets, musicians, silence-seekers. over thinkers and creative people. We know who you are. we can see your light on. Keep on keeping on.”  

Usually at the beginning of each month I ask you to post your goals. But sometimes we can get so caught up in what we STILL WANT TO DO that we forget to acknowledge the GOOD THINGS WE HAVE ALREADY DONE. So instead of posting our goals this month, let’s recognize our achievements.  In the comment section please take a moment to:

Share a positive thing or things you’ve done for your songwriting lately

-AND/OR-

Share a quote (or saying) that inspires you to keep on keeping on!

Let your light shine, friends.


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Instructor Spotlight: Randy Klein Has a Cool NYC Debut This Month

Multifaceted songwriter, performer, producer and native New Yorker, Randy Klein, has been mentoring emerging songwriters at SongU.com since 2006 when co-creator, Danny Arena, randomly spotted Randy’s name online for winning a prize for one of his jazz compositions. At the time, we were looking for some additional genre-diversity within our coaching faculty, and once we read his extensive bio, we had a gut feeling that Randy could bring exactly what we needed to the table. As it turns out, Randy did have a “flair for feedback” and has since become a well-respected staple of our song feedback and coaching staff.

Adding to his award-winning credits from Emmys to gold records to fellowships and commissions with projects including jazz, musical theatre, soul/R&B, documentary film scores, and PBS children’s TV shows, he now has a World Premiere to look forward to. His composition “Fanfare For Jerusalem” will be performed in New York City by the 400 voice Hazamir Chorale at the Metropolitan Opera House, Lincoln Center on March 26, 2017.

I asked Randy to answer a few questions about  songwriting and what this newest commission means to him.

When did your music career begin and what were your goals when you first began?

I’m not sure when my music career began because I have never done anything else but music. There are pictures of me as a toddler reaching up to the piano to play. And, as far as goals are concerned, I only wanted to be a good piano player. Songwriting didn’t come into the picture until way later when I was in my late twenties.

What are the most important lessons you learned about the music business since starting out?

To be nice to everyone. Admit when you are wrong. Remember that it ain’t a gig until the check clears!

You have a very exciting project called “Fanfare to Jerusalem” that will be a worldwide debut performed at Lincoln Center in New York City. How did you get this commission? 

The commission for “Fanfare For Jerusalem” came to me because of my relationship to Matthew and Vivian Lazar, the founder and director of the HaZamir Chorale. They are my neighbors and live in my apartment building in NYC. They knew I was a composer and invited me to hear the chorale a year ago at a performance at Carnegie Hall. It was excellent, the sound of 400 voices blew my socks off, and the concert was of a very high musical aesthetic. I ran into Matthew and Vivian in the lobby of our apartment house the next day and told them how much I enjoyed the concert and mentioned that I would love to write for the chorale. They told me that the theme for the next year was to be the 50th anniversary of the unification of Jerusalem. I thought about this for a while and then pitched them the idea of composing a piece called Fanfare For Jerusalem. I wrote the main theme and proposed some original text in English. The text was not approved, but the concept and the main theme were. It was suggested that I look at the Psalms of David for text that related to Jerusalem. I did the research and found, using translations in English, four excerpts from the Psalms which I thought would work. These selections were approved.

Was it intimidating to write the lyrics in another language, especially one that doesn’t use the English alphabet?

The only drawback was that I did not speak Hebrew and the Psalms are in Hebrew. Matthew Lazar connected me with an associate who spoke the Psalms into a recorder in Hebrew, including a recording of each word sounded out phonetically. It was from this recording that I wrote Fanfare For Jerusalem.

How long did it take for you to complete it?

It took about 5 weeks of non-stop writing. I would study the pronunciation of a syllable, then a word, and then a phrase and I slowly put music to it. Hebrew is a language with some guttural sounding syllables that don’t sing very well, like ‘o-ha-va-yich’ and ‘b’-chei-leich’. The challenge was to set them and be musical. While, I was composing the music, I was also imagining the 400 voice chorale singing it. So, I was learning the sound of the words, composing and orchestrating for chorale at the same time. I presented the first draft in Matthew and Vivian’s apartment. I had them look at the printed score as I was playing and explaining the piece. The reaction was overwhelming. Vivian sensed that this was a very special piece and said it was going to be in this year’s concert at the Metropolitan Opera House. Matthew was already making musical suggestions to make it better. And, that they had decided to make the piece a commission. To say the least, I was overjoyed! Through Matthew’s suggestions about chorale writing and a series of about 11 rewrites, the piece was tightened up.

You almost make it sound easy, Randy. I’ve done more than 11 rewrites on a 3-minute Country song!

As a writer, I was thrilled because the original structure never changed and except for ‘one mis-stress’, I had set the text correctly. I was able to hear the language as it was spoken and paint it in a musical setting. The final piece is about 6 minutes long. The skill set I used to compose this piece was the same as I use to write songs in English. Listening to the way a lyric speaks, I used my songwriting ear to learn how the lyric in Hebrew spoke and set it to music. Lessons to learn… don’t ever be afraid to pitch a creative idea to someone…music is a universal language….develop your listening skills! And, the cool news is, my collaborator is King David!

Yes, that’s a great lesson: “Don’t ever be afraid to pitch a creative idea to someone.”  So, what’s the best piece of general advice you can give up and coming songwriters?

This is easy. Write every day, even if you are not inspired. Take an article in the paper and write a song about it. Write a song about ketchup. Just keep your pencil sharp.

What’s on the creative horizen for you?

-A book on songwriting titled, “You Can Write A Song!” (Fall 2017)
-Musicals in various states of completion: The Black Swan, Jubilee, Pandamonium and Speak.
-A piano improvisation project: Ambient Spaces
-Teaching songwriting – ongoing!

Name three of your favorite non-music related activities.

-Sitting in the middle of Greenwood Lake, NY on my 1995 pontoon boat on a warm summer day.
-Freshly brewed coffee.
-Riding my bicycle.

 

For more information and to purchase tickets to the March 26th world premiere of “Fanfare for Jerusalem” go to:  

http://www.metopera.org/Season/2016-17-Misc-Season/Hazamir/


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March Goals (Some Advice from Steve Martin)

“Perseverance is a great substitute for talent.” – Steve Martin, Comedian, Actor, Musician

steve-martin-bookI’m in the middle of reading Steve Martin’s book “Born Standing Up” and have been highlighting lines and paragraphs like crazy (wild and crazy, that is ;-). I relate so much to the joys, setbacks, highs and lows he describes because in any kind of creative pursuit from stand-up comedy to songwriting, there are commonalities: We are starting with nothing and trying to create something tangible with the intention of moving an audience emotionally. We are trying to find our original voice while at the same time being relatable. We are constantly mining our inner resources and confidence to keep moving forward. We continue learning new tricks and developing our skills even as our work is being rejected over and over. But somehow the pursuit is a thing of beauty in itself.

Martin says, “I did stand-up comedy for eighteen years. Ten of those years were spent learning, four years were spent refining, and four were spent in wild success.”

What are some of your objectives to keep learning and refining this month? Statistics show that writing down goals increases the odds of achieving them. Big or small, it doesn’t matter as long as we keep moving in the right direction. Join us in goal-setting this month and post yours in the comment area. 

 

 


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What Are Your Goals for February 2017?

“In a world full of temporary things you are a perpetual feeling.” – Sanober Khan, Poet

heart

While February is the shortest month of the year, it can sometimes feel like the longest. Between the colder, grayer days, and the New Year’s resolutions slump, and the barage of chocolate-filled hearts weighing us down, our motivation may wane. So in February, let’s try to be extra gentle with ourselves and wake up remembering that every day is a new beginning. Try to find some simple ways to reignite your creative spark and find the song in your heart.

What are some of your songwriting (or other) plans, hopes and objectives for this month? Statistics show that writing down goals increases the odds of achieving them. Big or small, it doesn’t matter as long as we keep moving in the right direction. Join us in goal-setting this month and post yours in the comment area.